가타이 문학에 나타난 자연관 고찰
A Study on the Natural Perspectives in Katai Literature
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
A Study on the Natural Perspectives in Katai Literature Lee, MiKyung Tayama Katai is the leading author of Japanese naturalist literature, which combined the Western naturalist theory with the influence of traditional Japanese literature and built his own literary world. In his works, nature appears as an important element closely related to human emotions and lives beyond simple backgrounds. His masterpiece, ‘The Last of the Zuemon’, is a mixture of naturalistic elements and traditional Japanese travelogues, showing an attempt to explore the relationship between nature and humans. In particular, in ‘The Rural Teacher’, nature that reflects the life and pain of the protagonist appears, suggesting his frustration and death through natural descriptions. In addition, travelogues such as ‘ManSeon HaengRak’, awe of nature and other people’s eyes on colonial Choseon are mixed and depicted. While accepting Western naturalist theories, Katai’s literature inherited the view of nature of traditional Japanese literature and formed an independent art world that expresses the fusion of nature and humans. In particular, his later works explore the view of nature in which humans and nature converge through “I and Nature-convergence” based on Buddhist ideas, and his literary world occupies an important place in the history of Japanese literature that deserves re-examination.
Abstract
A Study on the Natural Perspectives in Katai Literature Lee, MiKyung Tayama Katai is the leading author of Japanese naturalist literature, which combined the Western naturalist theory with the influence of traditional Japanese literature and built his own literary world. In his works, nature appears as an important element closely related to human emotions and lives beyond simple backgrounds. His masterpiece, ‘The Last of the Zuemon’, is a mixture of naturalistic elements and traditional Japanese travelogues, showing an attempt to explore the relationship between nature and humans. In particular, in ‘The Rural Teacher’, nature that reflects the life and pain of the protagonist appears, suggesting his frustration and death through natural descriptions. In addition, travelogues such as ‘ManSeon HaengRak’, awe of nature and other people’s eyes on colonial Choseon are mixed and depicted. While accepting Western naturalist theories, Katai’s literature inherited the view of nature of traditional Japanese literature and formed an independent art world that expresses the fusion of nature and humans. In particular, his later works explore the view of nature in which humans and nature converge through “I and Nature-convergence” based on Buddhist ideas, and his literary world occupies an important place in the history of Japanese literature that deserves re-examination.
참고문헌 (20)
- 菊池寛, "定本花袋全集 第6巻", pp.1~ (1938), 臨川書店
- 国木田独歩, "定本 国木田独歩全集 第9巻", pp.72~ (1966), 学習研究社
- Kenneth G. Henshal, "田山花袋が抱いていた自然のイメージ", Tayama Katai’s Concepts of Nature, 43~52 (1983)
- 永井聖剛, "自然と人生とのあいだ 自然主義文学の生態学", pp.1~384 (2022), 春風社
- 田山花袋, "東京大震災", pp.288~ (1991), 社会思想社
- 田山録弥, "定本花袋全集 第2巻", pp.358~ (1994), 臨川書店
- 田山録弥, "定本花袋全集 第14巻", pp.524~ (1994), 臨川書店
- 田山録弥, "定本花袋全集 第15巻", pp.525~ (1994), 臨川書店
- 田山録弥, "定本花袋全集 第26巻" (1995), 臨川書店
- 田山録弥, "定本花袋全集 第28巻", pp.324~ (1995), 臨川書店
- 田山録弥, "定本花袋全集 別巻", pp.10~ (1995), 臨川書店
- 水野達朗, "比較文学・文化論集", pp.73~ (2022), 東京大学比較文学・文化研究会
- 和田源吾, "田山花袋集", pp.9~ (1972), 角川書店
- 吉田精一, "自然主義の研究 上巻", pp.279~ (1958), 東京堂
- 남경희, "田山花袋와 일본전통문학", 日本近代學硏究, 22, pp.125~141 (2008), 한국일본근대학회
- 마경옥, "田山花袋研究", pp.168~ (2007), 제이앤씨
- 이미경, "花袋의 전쟁체험 고찰", 일본언어문화, 21, pp.394~ (2012), 한국일본언어문화학회
