본문 바로가기
KERD
논문KCI 등재

피터 그리너웨이의 영화〈필로우북〉에 나타난 육체의 서

The body book appearing in Peter Greenaway’s film Pillow Book

3

조회

0

다운로드

1

인용

0

참고문헌

키워드

초록

Cinema is a medium which develops narrative by image and sound. In Digital cinema times, it began to use diverse digital language to arrange diverse images in one screen image. The director Peter Greenaway uses digital hieroglyph to express diverse images in one shot. Pillow Book adopts skins to write letters (Hanzi) and develops narrative. By writing on screen space of skin this space transforms into Haptic space. In this movie Nakico’s father writes her name in her face. This writing name considers as creating rite which God creates human beings and gives their name. It becomes a rite in her birthdays. Her father's sister reads Pillow Book which does as a servant in a kingdom. Nakico always a writer who can write on her face and marries her husband who is a son of bookstore. But he does not write her name on her face and tears up her books. She divorces her husband and begins to work as a model in Paris. She happens to meet Jerome who tries to write her name on her face. But she does not satisfy because of her bad caligraphy and Jerome asks her to write letters on his skin. Afterwards, she became a writer and makes 13 pillow books. In this end part Nakico does writing rite on her daughter. The rite of writing of name on her daughter becomes a continuous task of family and a way of developing narrative.

Abstract

Cinema is a medium which develops narrative by image and sound. In Digital cinema times, it began to use diverse digital language to arrange diverse images in one screen image. The director Peter Greenaway uses digital hieroglyph to express diverse images in one shot. Pillow Book adopts skins to write letters (Hanzi) and develops narrative. By writing on screen space of skin this space transforms into Haptic space. In this movie Nakico’s father writes her name in her face. This writing name considers as creating rite which God creates human beings and gives their name. It becomes a rite in her birthdays. Her father's sister reads Pillow Book which does as a servant in a kingdom. Nakico always a writer who can write on her face and marries her husband who is a son of bookstore. But he does not write her name on her face and tears up her books. She divorces her husband and begins to work as a model in Paris. She happens to meet Jerome who tries to write her name on her face. But she does not satisfy because of her bad caligraphy and Jerome asks her to write letters on his skin. Afterwards, she became a writer and makes 13 pillow books. In this end part Nakico does writing rite on her daughter. The rite of writing of name on her daughter becomes a continuous task of family and a way of developing narrative.

참고문헌 (8)

  1. 박성수, "디지털 영화의 미학" (1999), 문학과 과학사
  2. 박시성, "정신 분석의 은밀한 시선" (2007), 효형 출판
  3. 앤드류로빈슨, "문자이야기" (2003), 사계절
  4. 진중권, "이매진" (2006), 씨네북스
  5. 매일경제, "필로우북" (2000), 매일경제
  6. 김정태, "고유어 인명의 명명특징" (2011), 인문학연구
  7. "필로우북", 이효인[URL]

관련 논문AI추천

이 간행물의 다른 논문 (14건)