楊萬里 驛站詩 硏究 - 떠남, 머무름의 공간과 심리

Abstract

The purpose of this study is to analyze Station Poetry Works(驛站詩) among poet Yan Wanli(楊萬里)’s poetry works as a research subject, and to contemplate the meaning of the ‘Space(空間)’ of Living and Staying, and the literary Psychology derived from it. According to the results of the study, Yan Wanli’s Station Poetry work has the following characteristics. First, Yan Wanli’s Station Poetry accounts for the majority of the appearance of ‘Nature(自然)’ and inside and outside the Station(驛站) in terms of the operation of poetic language or Poetry materials, which is consistent with his view that ‘Nature’ is the source of creation. Second, Yan Wanli’s Station Poetry establishes a relationship with Nature in stages and actively implements it in the creative process. Third, Yan Wanli’s Station Poetry fully shows the aesthetic effects created by the ‘Space’ Station. He combines numerous natural elements that can be captured in the space of Station Poetry with humanities, and even the poet’s psychology is projected through this space. In addition, the aesthetic effects created by Station Space are prominent in the operation of various and lively Senses in the Poem. Fourth, the poet’s psychology depicted in Yan Wanli’s Station Poetry has a heavy and dark color, reflecting relatively many emotions of anxiety, depression, and lamentation, unlike his other Official Travel Poetry works. In particular, in some Station Poetry works, the psychology of a poet ‘Solitude’ stands out, which is judged to be another poetic effect created by a special space called Station.