식민지기 허준 문학의 ‘추리소설적 성격’ ― ­「탁류」, 「야한기」를 중심으로

Abstract

Heo Jun had painted aspects of feedback in the balanced line of sight in the "Jandeung". Then, I wonder if he had seen how the colonial era. In existing research was concentrating on work release period. Relatively researcher interest in works of colonial era was low. "From the study room" and "in the Etude room", there was a deep-related and came out after the release as "in Etude room". So, just these works have been studied in terms of the change in creative ways and reality recognition of writer. Release before work, in terms of content, mainly solitude, silence, ego has been analyzed. Also, in the formal aspects, and modernism and adaptations in the course of study was mainly discussed. This time his literature, is the most characteristic of lonely life of colonial and passive resistance to Japan. Finally recognition that Heo Jun has an implicit adaptation of colonial regime is common. However, such recognition, Heo Jun can not be ethical attitude correctly description shown by the work of post-release. Loneliness itself is not important. It is required reevaluation of the factors that facilitate rather lonely. As was observed social image of his release period, it is necessary to get out of studies tend to focus on the inner surface when accessing modernism literature. So, he saw look at what colonial Korea, he was trying to investigate how tried to communicate it with the readers. In this paper, Heo Jun in colonial era to take advantage of the mystery novel specific format, it was revealed that it was trying to express a message to the reader. The mystery, there is a need for the incident. I tried to re-interpret the intent of the novel through the "dress" were analyzed incidents and works around the incident "loss of consciousness", the truth of the incident appearing in the process.