퇴계 사단칠정론 시각에서 본 승무 염불과장 둘째 마루의 동작 분석적 해석

Abstract

The purpose of the study is to analyze in the invocation part(2st section) of Buddhist dance under the view point of Toigye's four-seven debates, utilizing LMA(Laban Movement Analysis), particularly Effort/Shape, and to provide the important materials available for which all dance artists can understand Buddhist dance who have interest in the various fields such as dance education, dance therapy,dance anthropology, cultural research, choreography, advanced technology, etc. The methodology for the study is to review the dance literatures and the related theses. The results, which analyzed were verified by two CMA(Certified Movement Analyst). The video recording made on 30th October 2003 at “The Training Center for Important Intangible Cultural Properties” in Seoul was used for the reference. The video material shows the 24 phrases of Chung Jae-man style Buddhist dance. The research studies: First; how the ideological background of Toigye and the Toigye's Four-Seven Debates is related with Buddhist dance, Second; under Toigye's Four-Seven Debates perspectives after observing and analyzing the movements of the Invocation Part of Buddhist dance by utilizing the Effort/Shape method. The results of the study are as follows. First, ‘Bound Flow’, ‘Direct Space’ and ‘Sustained Time’ were observed in the invocation part(2st section) of Buddhist dance. This is thought to be due to the intrinsic value of Toigye's Sangsungsungbub[Constant Awareness] and solemn mindstate in the movements of the Invocation Part. The Sangsungsungbub and solemn mindstate is in accord with the internal practice method expressing the deliberation of the Gyung[Respect] cultivation. And as for the Shape, ‘Shape Flow’and ‘Shaping’ were observed in the movements. This is judged to be the refined physical state evident in the movement of the Invocation Part. The refined physical state is in accord with the Guhgyung[Constant Proper Physical Mental State]cultivation of Toigye. Second, ‘Shaping’ was emphasized in the(2st section) of the Invocation Part. This is thought to be the expression of movement related with images of respect which is the mindstate of Sayangjisim[Humble mind].