심훈의 장편소설에 나타나는 ‘사랑의 공동체’ ― 무로후세 코신[室伏高信]의 수용 양상을 중심으로

Abstract

The purpose of this study is to investigate the ideologic directivity of Sim Hoon by analysingthe repeated motif shown on the his full-length novels and by searching his bibliography. SimHoon hasn’t been judged right by the researchers since he had taken an equivocal attitudeon the dichotomous literary history such as nationalism and socialism. Sim Hoon has beenconsidered as a illuminist or Narodnichestvost sympathizing the v-narod movement but sucha common idea can be impediment to understand his literature world. His full-length novelsfrom Talchum to Dongbanguiaein, Bulsajo, and Yeongwonuimiso, Jiknyeoseong, Sangroksu are composedof the story which overlaps a position․social problem on the main characters’ love conflict. He has been considered that he expresses the social problem on the conventional way because‘romanticism’ and ‘socialism’ or ‘anti-capitalism’ are intersected on his novels which areconsistently focused on the issue, “Love” through the narrative structure. It is shown that Sim Hoon‘s art value is far from the materialistic dialectic based onMarxism, looking into the fact that he argued with Han Seolya and other wirters of KAPFside. Sim Hoon insists that the social problem of his time should be surmounted by loveconflict between man and woman. it means that he preempted the theory of public-novelproposed by Kim gijin in the KAPF, Sim Hoon actually dealt with the problem of free lovethrough the marriage made into an art. He made an issue of the problem which marriageof between man and woman is based in the principal of the Private ownership of the capitalismand insist that marriaged should be made into an art based in the principal of creativitynot based in ownership. In fact, his insistence has been made when he translated「藝術として結婚」 of Murohuse Kousin[室伏高信] who is a Japanese critic. Ideological relationof dynamics between Sim Hoon and Murohuse can be speculated with severalMurohuse’s writings which have been left as Sim Hoon’s relicsMurohuse Kousin who is a the sympathizers of Chosun intellectual has revealed hisunique idea by writing 文明の沒落, 靈の王國. He accepted philosophy of WaltherRathenau who is German and criticized both of Capitalism and Marxism. He insist thatMarxism can’t be a real alternative surmounting the contradiction of Capitalism becauseMarism also diagnoses the society of his time in the same way of mechanical and reasonablethinking method based on ‘the city civilization’. He expresses that the contradictionof Capitalism can be surmounted by only ‘intuition’, ‘love’ and ‘sacrifice’. He also insistedthat ‘the city civilization’ of Capitalism brings down ‘the rural culture’ and emphasized thenecessary of local autonomy movement from the rural communities to surmount the contradictionof Capitalism. He believed the social problem of his time can be surmounted byregaining of rural community not by the revolutions of the factory workers in cities whichwas insisted by Marxism. The ideologic directivity and move of Sim Hoon have in commonwith the idea of Murohuse. Sim Hoon’s Yeongwonuimiso is a literary work which shows the contrast of ‘the city civilization’and ‘the rural culture’. Kim Suyeong, Seo Byeongsik, Choi Gyesuk who oncewere the intelligence class in the city started earning a living after the social movementended in failure. But they were overwhelmed by a sense of defeat in the space of ‘the citycivilization’ called Gyengsung and shows the goods tendency with loss of humanity. KimSuyeong faced up to the reality of the rural community of the day through his hometownand decided to go back to the hometown after realized that the rural community is exploitedby the mechanism of modern capitalism. Sim Hoon gives shape to the appearanceof exploitating and exploited class in the city and rural communities through the loveconflict between Kim Suyeong symbolized the rural communities and Jo Byeongsik symbolizedthe city around Choi Gyesuk. He also shows ‘love-commune’ which overcomes‘city civilization’ should be realized in rural communities by describing the progress of theKim Suyeong and Choi Gyesuk’s marriage after recovering humanity