1930년대 잡지 편집과 문학 독법-창간 『신동아』 론

Abstract

This thesis was written with the purpose of looking back on perspectives and attitudes about how the media of the 1930s understand the literature. In order that, it focussed on editing principle and editing system targeted on Sindonga pioneered era of magazine published by the newspaper company. First of all, it examined involvement with 'all-included principle' of Sindonga declares for principle of editing. On the basis of that information, it explained that how the column as cultural goods was generated and divided. Also it surveyed arrangements and formats of 'literary section' which was representative contents, through this it intend to reveal that perspectives and attitudes of media about literary changed compare to era of Gaebyuck. In addition, it attempt to prove a change of literary reading through searching for the changing process of 'co-production novels by readers' that is the first literature project of Sindonga. Existing studies on Sindonga have made an issue of both commercialism and nationalism, but eventually they did not approach to essence of 'eclecticism' witch was survival strategy of Sindonga. The ideas that looking back on literary reading of the media by reconstitution of a place for Sindonga's editing are still experimental but they are aimed at understanding the center of gravity of that eclecticism(all-included principle). It is also something that to judge the authenticity of discussions about nationalism that had been advocated by Sindonga.