「공연법」에 이르는 길-식민지검열에서 냉전검열로의 전환, 1945∼1961

Abstract

In spite of Liberation, Chosun Performance Control Regulations has continued by the time The Performance Law(1961), not being abolished, not being severely followed. This study is based on the hypothesis such a the time required originated in conversion process to the Cold War-censorship, and attempted to describe its basis focusing on two issues to the cold war-appropriation of the colonial censorship.The first is the result from 'ghost of the colonial-censorship'. It was the naturalization process of censorship being based on the dual subconscious of security / customs censorship.This means that the modernity of colonial- censorship was recognized officially and the core of the Cold War-censorship called 'nation' was forming. The second is the dynamics between censorship hegemony and the Cold War. As the jurisdictional rivalry of censorship shows, the change to the Cold War-censorship system unstabled. However, the (US) public information organizations gained initiative every time a crucial moment comes, so its change performed 'successfully'. When the Education Department owned the censorship right in the second half 1950s, though this showed a certain democratic possibility, this process was restricted to the Cold War-limit. Finally the censorship by the Education Department brought the deepening of anticommunism-censorship in its train. Actually the conversion from the colonial-censorship to the Cold War-censorship wasn't able to smooth. The compulsory to the Cold War system derived from the violence directly after Liberation. Exterritorial violence substituted for a colonial Regulations as a zombie or a 'low-governed' country or a 'democratic' public information organization. For 1945∼1961, especially after the establishment of single government, the reason the controls to performance art were rare lies rightly this violence. Undemocracy in this time was the result from the economy of violence. Once again, the Bureau of Public Information ascended to censorship authorities, soon The Performance Law was e nacted. This law meant the formulation and institutionalization of violence through making inherent into legal management system of state-power.