본문 바로가기
KERD
논문KCI 등재

중등학교에서 음악중심 융합교육의 실태 분석

Analysis of the Current Status of Music-Centered Convergence Education in Secondary School

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

초록

The purpose of this study is to understand the current status of convergence education taking place in schools and to find implications for convergence education based on this. Convergence education takes place in various forms, but this study examined the actual status of convergence education centered on music subjects. For this purpose, 56 current music teachers from 54 schools located in 16 city/provincial offices of education nationwide were selected as research participants and the differences in demographic characteristics and perceptions related to convergence education were investigated and analyzed. the results are as follow. First, the level of teachers' awareness of the need for music-centered convergence education was generally high, and music teachers were well aware of music-centered convergence classes. Teachers with experience in operating music-centered convergence education responded positively to continued operation, but there were also elements of avoidance due to lack of time to research textbooks. Problems with convergence education include high awareness of the difficulties caused by differences in the level of students in a class, cases where there are many students per class, and challenges in securing teachers' discretion and developing and sharing various programs. Since convergence education is an essential form of future education, teacher training must be continuously provided in school settings. In particular, music subjects include practical areas, so the diversity of convergence education must be applied and developed to be implemented as a learning activity.

Abstract

The purpose of this study is to understand the current status of convergence education taking place in schools and to find implications for convergence education based on this. Convergence education takes place in various forms, but this study examined the actual status of convergence education centered on music subjects. For this purpose, 56 current music teachers from 54 schools located in 16 city/provincial offices of education nationwide were selected as research participants and the differences in demographic characteristics and perceptions related to convergence education were investigated and analyzed. the results are as follow. First, the level of teachers' awareness of the need for music-centered convergence education was generally high, and music teachers were well aware of music-centered convergence classes. Teachers with experience in operating music-centered convergence education responded positively to continued operation, but there were also elements of avoidance due to lack of time to research textbooks. Problems with convergence education include high awareness of the difficulties caused by differences in the level of students in a class, cases where there are many students per class, and challenges in securing teachers' discretion and developing and sharing various programs. Since convergence education is an essential form of future education, teacher training must be continuously provided in school settings. In particular, music subjects include practical areas, so the diversity of convergence education must be applied and developed to be implemented as a learning activity.

참고문헌 (21)

  1. 교육과정정책과, "2015 문·이과 통합형 교육과정 요약자료", ~ (2014)
  2. , 2015
  3. 김경화, "음악교육의 융합교육 접근을 위한 융합 개념 논의", 한국 초등교육, 26(4), pp.211~234 (2015)
  4. 김민주, "음악교과 기반 융합 수업 방안 연구 : 창의적 사고 기법의 활용을 중심으로", 음악교육공학, 52, pp.139~159 (2022)
  5. 김애진, "음악중심 융합교육에 관한 초등학교 교사의 인식실태 조사연구", 석사, pp.2016
  6. 김왕동, "창의적 융합인재에 관한 개념 틀 정립 : 과학기술과 예술융합 관점", 영재와 영재교육, 11(1), pp.97~119 (2012)
  7. 김지영, "융합인재교육(STEAM)을 적용한 음악 창작 교수·학습 방안 연구", 석사, pp.2017
  8. 남지영, "초등학교 음악중심 융합프로그램 개발 및 적용 가능성 탐색", 음악교육공학, 17, pp.63~79 (2013)
  9. 백재영, "중학교 음악교사의 음악중심 융합교육 운영실태 분석 및 개선 방안", 석사, pp.2020
  10. 서종우, "음악 중심 융합교육 프로그램의 창의성 발현에 관한 양적·질적 연구", 박사, pp.2018
  11. 양종모, "음악중심 융합교육의 방법 탐색", 음악응용연, 1(6), pp.57~74 (2013)
  12. 이계영, "융합인재교육(STEAM)에 대한 초등학교 교사의 인식 및 요구 조사", 석사, pp.2014
  13. 콘텐츠산업의 융합 양상과 정책과제, "이용관", 한국문화관광연구원, ~ (2013)
  14. 정은희, "STEAM 교육을 적용한 초등학교 5학년 음악 교수 학습 방안", 석사, 초등음악교육전공, pp.2014
  15. 조대현, "음악중심 융합교육과 이를 위한 전제조건", 음악과 민족, 46, pp.267~289 (2013)
  16. 조대현, "음악 중심 융합교육을 위한 교수학습 모델 개발", 음악교육공학, 31, pp.21~42 (2017)
  17. 조정은, "청소년 문화예술교육을 위한 융합프로그램 개발 연구", 문화와 융합, 40(3) (2018)
  18. 융합영역 학생 평가 방법 개선 및 평가모델 개발 연구, "최석민", 한국과학창의재단, ~, pp.BD14050008 (2014)
  19. 최성희, "음악중심 융합인재교육(STEAM)에 대한 교사들의 인식도 조사연구 : 경기도 소재 중학교 음악교사 인식 실태를 중심으로", 석사, pp.2015
  20. 한국교육과정평가원, "2023학년도 대학수학능력시험 문제지, 2022-11-17 시행", ~ (2022)
  21. 홍성령, "예비 음악교사의 융·통합교육에 대한 이해수준 및 인식 조사", 석사, pp.2019

관련 논문AI추천

이 간행물의 다른 논문 (4건)