해방 후 복간 어린이의 아동극 연구

Abstract

This study aims the meaning of children's plays in the Eorinin which was reissued in May 1948. Reissued Eorini, which kept the spirit of Bang Jung-hwan, emphasized ‘fun and benefits’ while advocating the unity of ‘strong and true boy’s as its media ideology. The magazine had a clear emphasis on literature through a balanced composition of genres such as children’s songs, creative fairy tales, serial novels, and children’s plays, and the ‘fun and benefit’ of literature was approached in a comprehensive connection with our contemporary reality. Children’s plays of reissued Eorini have an important meaning are critical in the history of children’s plays during the liberation period. First of all, the reissued Eorini published one children’s play almost every quarter, and writers such as Ko Han-Seung, Kim Jin-Soo, Bang Ki-Hwan, and Kim So-Yeop were interested in dramas and children’s plays, and actively considered children’s plays. In the children’s plays, there is a protagonist who is suffering from poverty, nursing care, and the absence of a father, but tries to overcome it without being frustrated. And the content of the play and the realism on the stage were strengthened. This can be said to be the result of the Children’s Play Writers of reissued Eorini in search for the role of children’s play in a new country after liberation and government establishment. It is estimated that the result of the ‘Children’s play’ writers seeking the role of children’s plays amid concerns about how children should live in a new country after liberation and the establishment of the government.