전병순의 1960년대 대중 장편소설 연구
"A Study of Novels which are Written by Jeon Byeong-sun in 1960's"
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This paper examines novels which are written by Jeon Byeong-sun. It seems that each work utilizes images of love affairs. First of all, there are the leisured classes, particularly the ladies who do not have to worry about society phenomenons in her novel 『Blooming Flowers and Falling Flowers』(1964). The aspects are like flirtations and tired feelings except real life's works. Secondly, the writer expressed “Nam Jeong-u" who as a weird personality living a lazy life in『A Mystery Lady(1968)』. Thirdly, she also represents "Hyeon-ju" sympathized maidservants who were taken sex offences by her husband in her work『Lady Hyeon(1965)』. Then fourthly, she drew an eccentric marriage and relations of special men as one is a great scholar who has the best sperm, another is a vocalist with sharing lonesome, the other is a "Min-ho" with doing everyday's life in her work『A Spinster(1966)』. Lastly she described an artist and teacher who could support herself and wanted to connect with someone who was a married man, but could give true love to her at her work『One More Sense of Solitude(1967)』. In conclusion, it seems to me that men and ladies of the leisured classes were not realistic people before the 1960's. The writer who wrote popular novels has represented men and women of flirtations and tired feelings.
Abstract
This paper examines novels which are written by Jeon Byeong-sun. It seems that each work utilizes images of love affairs. First of all, there are the leisured classes, particularly the ladies who do not have to worry about society phenomenons in her novel 『Blooming Flowers and Falling Flowers』(1964). The aspects are like flirtations and tired feelings except real life's works. Secondly, the writer expressed “Nam Jeong-u" who as a weird personality living a lazy life in『A Mystery Lady(1968)』. Thirdly, she also represents "Hyeon-ju" sympathized maidservants who were taken sex offences by her husband in her work『Lady Hyeon(1965)』. Then fourthly, she drew an eccentric marriage and relations of special men as one is a great scholar who has the best sperm, another is a vocalist with sharing lonesome, the other is a "Min-ho" with doing everyday's life in her work『A Spinster(1966)』. Lastly she described an artist and teacher who could support herself and wanted to connect with someone who was a married man, but could give true love to her at her work『One More Sense of Solitude(1967)』. In conclusion, it seems to me that men and ladies of the leisured classes were not realistic people before the 1960's. The writer who wrote popular novels has represented men and women of flirtations and tired feelings.
참고문헌 (11)
- 전병순, "賢夫人" (1978), 자유문학사
- 전병순, "안개夫人" (1979), 자유문학사
- 전병순, "피는 꽃 지는 꽃" (1980), 자유문학사
- 전병순, "또 하나의 고독" (1984), 자유문학사
- 전병순, "독신녀" (1984), 자유문학사
- 임금복, "여성 작가의 여성 차별 의식-전병순의 ‘강원도 달비장수’(현대여성소설의 페미니즘 정신사)" (2000), 새미
- 임중빈, "꾸준한 인간본성 탐색(한국현대문학전집 43)" (1978), 삼성출판사
- 전흥남, "절망 뒤에 오는 것에 나타난 여순사건의 수용양상과 의미", 국어국문학, 127 (2000), 국어국문학회
- 최미진, "사회적 멜로드라마의 역사성과 대중성―전병순의 『絶望 뒤에 오는 것』을 중심으로", 현대문학이론연구, 21(21), pp.319~343 (2004), 현대문학이론학회
- 최미진, "부인명(夫人名) 대중소설에 나타난 여성의식 연구 ―정비석의 《自由夫人》과 전병순의 《賢夫人》을 중심으로", 현대소설연구, (21), pp.185~204 (2004), 한국현대소설학회
- 최인훈, "정통을 찾아서(전병순 소설집) in :강원도 달비장수" (1977), 창작과비평사