춘향전 사설에 등장하는 중국 여성 연구 - 열녀춘향수절가를 중심으로 -

Abstract

This paper is intended to study Chinese women within the 「Chunhyangjeon」. There were the four famous beauties named Seosi, Wangsogun, yanggwuibee in old China. They were represented focusing on how to express concerning them with mise en scene in the work. First of all, the three beauties were shown how to connect with main characters through the writer's eyes. Even though Mongryoung revealed nostalgia and longing or beautiful poses through the women, Chunhyang expressed them with deep regret that she was taken to jail in face of death. And Yanggwuibee evoked special love of both sexes through the writer's eyes. The three beauties exposed various meanings through the authors ideas and the main characters view point. Next, many famous chinese women, like HangA, Hwamokran, Seowangmo, Imsa, Ahwang and Yeoyoung, NongOk and Cheokbuin concerned with setting stages and representing who they served in the novel. Some of them were represented nymphs in fairy tale land by metaphors. Some revealed a subplot of the main story in mise en scene. Some intermediated the other self of the special love. Some was carried the virtue with sweet and gentle mind. Some represented deep regrets and mortification. Others were tied up with main characters' unconscious through their dialogues during their dreams. Lastly, it seemed that the three beauties of old China were represented main characters' unconscious and Chunhyang's position by mise en scene with metaphors through a microscopic approach. It is a chance to consider when the writer in Choseon dynasty wrote Chunhyangjeon, how much he wanted expressed his receptive capacity or quotation of chinese women into his work. As a result the work was figured chinese women were quoted not alone but overlap or enumeration strongly. Why he usually used ways of filing and arranging chinese women in his work, it used to sing Pansori. So, the writer emphasized his values with meaning for readers and audiences, using those quotation and mise en scene with metaphors of chinese women.