岩井俊二电影作品中的物哀美学刍议

Abstract

Director Iwai Shunji became the flag bearer of the new Japanese film movement with his fresh, poetic and clean cinematography. His films are full of poetic beauty, but their content is mostly about sadness, parting and death. The natural geography, the promotion of religion, and the spirit of Bushido have formed a uniquely Japanese aesthetic of mourning, which has developed over a long period of time and has become part of Japanese aesthetic culture. Director Iwai Shunji's films interpret the value of "material mourning" through the "unity of mind and body" and "extreme poetic aesthetics", and his presentation of death is not limited to sadness, but conveys sadness through He does not confine himself to sadness, but conveys the warmth contained in sadness through beautiful narratives, expresses the characters' sense of material sorrow through the language of the camera, and highlights the deeper connotation of material sorrow through filming techniques, which makes his films exude a unique artistic charm. A systematic summary of the aesthetic elements of material sorrow in Iwai's films will help us gain a deeper understanding of his film style and personal characteristics, provide a new perspective for the study of Iwai's films, and provide creative references for filmmakers.