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The Meaning of Newness in Korean Cinema: Korean New Waves and After

문재철
한국학중앙연구원 (The Academy of Korean Studies)|2006.03|Korea Journal|제46권 제1호|pp. 36-59

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참고문헌

주제분류한국어와문학

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Abstract

Contemporary Korean cinema is both innovative and industrially successful. Its historic achievement dates back to the cinema movement from the 1980s to the mid-1990s and its effect, the so-called Korean New Wave. The Korean New Wave films tried to overcome the limitations of modern Korean movies with auteurism and realism, showing a departure in its criticism of mainstream movies and oppressive social conditions.Since the mid-1990s, however, Korean films have diverged again from the Korean New Wave. While critical attitudes and a search for realism significantly waned, an ironic tendency and interests in genre and mass culture grew. Post-Korean New Wave films now focus on image more than on theme, which tells us that the newness of todays Korean cinema only functions as a stylistic strategy used to distinguish themselves from other films. Closely related to changes in Korean politics, economy, and culture are those of the meaning, role, and function of newness in Korean films, through which we can understand the circumstances and trends of Korean films today.

참고문헌 (13)

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관련 논문AI추천

영화로서의, 운동으로서의, 그리고 역사로서의 한국 뉴웨이브김충국한국예술연구소 · 한국예술연구2021 · 제31호Production and Consumption of Contemporary Korean Cinema김병철한국학중앙연구원 · Korea Journal2006 · 제46권 제1호Cross-currents of Change and Continuity: Korean National Literature and Korean National CinemaDaniel H. Kim국제언어인문학회 · 인문언어2005 · 제30권 제7호민족영화론의 변이와 '코리안 뉴 웨이브' 영화담론의 형성김소연대중서사학회 · 대중서사연구2006 · 제15호Guest Editors' Introduction: New Cartographies and Archaeologies of Korean Cinema백문임, CHUNGSTEVEN한국학중앙연구원 · The Review of Korean Studies2015 · 제18권 제1호Popular Discourses on Korean Culture: From the Late 1980s to the Present권숙인한국학중앙연구원 · Korea Journal2003 · 제43권 제1호

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