오규원과 비스와바 쉼보르스카의 시작품 비교 연구
A comparative study of Oh Kyu Won and Wisława Szymborska's Poetry
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This paper has been written to study on Oh Kyu Won and Wisława Szymborska's Poetry in the view of comparative literature. Oh Kyu Won tried pursues the maximum of transparency. It means that he describes 'transparent phenomenon' of object and the world instead of idea and image based on metaphor. He called his poetics as 'the poetics of living image'. He intended to purse the aesthetics of existence that reaches the object in reality of matters. On the other hand, the polis poet Wisława Szymborska showed diverse attitude writing on poems not like the traditional viewpoint. She doubted how far from the real status when we point out some objects using human being's language. Szymborska's poems showed her effort how much she tried to describe the objects in their point of view. Like mentioned above, Oh Kyu Won and Wisława Szymborska have the similar attitude in the point of how they describe the objects and the world. It means that they purse the real status of objects uncovered by language. It has the meaning of introspecting our traditional and conventional attitude on using human being-centered language.
Abstract
This paper has been written to study on Oh Kyu Won and Wisława Szymborska's Poetry in the view of comparative literature. Oh Kyu Won tried pursues the maximum of transparency. It means that he describes 'transparent phenomenon' of object and the world instead of idea and image based on metaphor. He called his poetics as 'the poetics of living image'. He intended to purse the aesthetics of existence that reaches the object in reality of matters. On the other hand, the polis poet Wisława Szymborska showed diverse attitude writing on poems not like the traditional viewpoint. She doubted how far from the real status when we point out some objects using human being's language. Szymborska's poems showed her effort how much she tried to describe the objects in their point of view. Like mentioned above, Oh Kyu Won and Wisława Szymborska have the similar attitude in the point of how they describe the objects and the world. It means that they purse the real status of objects uncovered by language. It has the meaning of introspecting our traditional and conventional attitude on using human being-centered language.
참고문헌 (15)
- "老子"
- "莊子"
- 비스와바 쉼보르스카, "끝과 시작" (2007), 문학과지성사
- 박이문, "현상학과 분석철학" (2007), 지와 사랑
- 비스와바 쉼보르스카, "시인과 세계(노벨문학상 수상 소감 연설문) In: 끝과시작" (2007), 문학과지성사
- 오규원, "오규원 시전집,1.2" (2005), 문학과지성사
- 오규원, "날이미지와 시" (2005), 문학과지성사
- 오연경, "날이미지 와 사건의 시학( 신춘문예 당선작)" (2009), 동아일보
- 이광호, "오규원 깊이 읽기" (2002), 문학과지성사
- 이광호, "두두의 최소 사건과 최소 언어 In: 두두" (2007), 문학과지성사
- 이남호, "날이미지의 의미와 무의미 In: 오규원 깊이 읽기" (2002), 문학과지성사
- 정과리, "‘어느새’와 ‘다시’ 사이, 존재의 원환적 이행을 위한 In: 새와 나무와 새똥 그리고 돌멩이" (2005), 문학과지성사
- 최성은, "비스와바 쉼보르스카(Wisława Szymborska)와 노장사상의 상생적유기론적 자연관(自然觀)", 동서비교문학저널, (12), pp.141~170 (2005), 한국동서비교문학학회
- 최성은, "존재의 본질을 꿰뜷는 심안(心眼)을 가진 시인, 비스와바 쉼보르스카의 생애와 시 세계 In: 끝과 시작" (2007), 문학과지성사
- 메를로-퐁티, "현상학과 예술" (2006), 서광사
