김수영 시에 나타난 ‘욕망’에 대한 연구 - 욕망의 ‘억압’과 ‘분리’를 중심으로 -

Abstract

This is a study on 'desire,' which was shown in Kim Su-yeong's poetry that specifically examined how the subject in a poem realizes true desire with escaping from the other's suppression while coping with reality. Those that were formed with marks such as book, Yeongsapan(映寫板), father's face and photo in Kim Su-yeong's poetry are substituted for the symbolic. A speaker shows several symptoms with denying it while being suppressed from the other's desires of belonging to the symbolic. That is the starting point in the process for meeting the truly subjective desire with being separated from the other's desire. The speaker, who had been suppressed by the other's desire, comes to enter the 'room' and spin a top, or to become a little child. Also, the speaker discovers black metallic tap, which is in the South Pole of a terrestrial globe, or thinks a hat that was left in a remote mountain village. As the spaces are disconnected with the outside, it symbolizes the space of unconsciousness. A top pen, bone & craziness, little child, head under a hat of camel, which are there, are those that embody the alienated subjective desire. Such process implies to meet the subject of true desire by being separated from the other's desire. Also, it is what the speaker prepares for moving to the target of true desire with escaping from the other's desire. The speaker, who met the desire in the true subject by being separated from the other's desire, moves by searching for new target.