페르미어의 <중매인>에 대한 고찰
Studies of Vermeer’s Procuress
2
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
17세기 네덜란드의 장르화가 요한네스 페르미어가 1656년에 제작한 <중매인>은 그의 알려져 있는 최초의 장르화로서, 그의 화가경력의 실질적인 시작점을 이룬다. 페르미어는 유곽의 이야기를 다루는 <중매인>을 제작하며 1620년대에 위트레흐트에서 활동했던 네덜란드 카라바조주의자들의 작품들을 참고자료로 삼았다. <중매인>을 제작하는 과정에서 작품의 설치장소도 고려했던 것으로보이는 페르미어는 무엇보다 그림이 감상자들에게 전달하는 메시지를 규정하지않고 모호하게 열어놓았다. 이로써 <중매인>은 작품과 감상자 사이의 소통, 작품에 대한 감상자들끼리의 대화를 가능하게 하는 매체로 기능할 수 있었다.
Abstract
The earliest known genre painting which the seventeenth-century Dutch genre painter Johannes Vermeer produced is Procuress of 1656, which was so to say the turning point in his early career. To create Procuress that shows a brothel scene as its theme, Vermeer referred to works of the so-called Dutch Caravaggists, active in Utrecht in the 1620s, as important models. First of all, Vermeer who appears to have kept the place for the painting’s installation in mind did not define the message the painting conveyed to viewers, leaving it ambiguous. In this way, Procuress could act as a medium that offered its viewers the opportunity to communicate with the image on the one hand and with each other on the other.
참고문헌 (24)
- Bok, Marten Jan, "Vermeer and the Delft School", pp.197~210 (2001), Yale University Press
- Brune, Jan de, "Jok en Ernst", Amsterdam
- Buijsen, Edwin, "Der frühe Vermeer, ediert von Uta Neidhardt", pp.13~27 (2010), Deutscher Kunstverlag
- Büttner, Nils, "Vermeer" (2010), C. H. Beck
- Gelshorn, Julia, "Grundbegriffe der Kunstwissenschaft", pp.247~250 (2018), Reclam
- Hecht, Peter, "Der Zauber des Alltäglichen. Holländische Malerei von Adriaen Brouwer bis Johannes Vermeer", pp.20~29 (2005), Hatje Cantz
- Heinen, Ulrich, "Die Frühe Neuzeit als Epoche", pp.165~234 (2009), Oldenbourg
- Helmus, Liesbeth M., "Utrecht, Caravaggio und Europa", pp.51~63 (2018), Hirmer Verlag
- Kirchner, Thomas, "Grundbegriffe der Kunstwissenschaft", pp.150~153 (2018), Reclam
- Mander, Karel van, "Das Lehrgedicht des Karel van Mander" (1916), Martinus Nijhoff
- Montias, John Michael, "Vermeer and His Milieu. A Web of Social History" (1989), Princeton University Press
- Münch, Birgit Ulrike, "Grundbegriffe der Kunstwissenschaft", pp.139~142 (2018), Reclam
- Neidhardt, Uta, "Johannes Vermeer. Bei der Kupplerin", pp.7~20 (2004), Sandstein Verlag
- Lotte van de Pol, "The Whore, the Bawd, and the Artist: The Reality and Imagery of Seventeenth-Century Dutch Prostitution", Journal of Historians of Netherlandish Art, 2(1-2), pp.1~20 (2010), Historians of Netherlandish Art[DOI]
- Prater, Andreas, "Lebenslust in der Kunst der Frühaufklärung" (2021), Walter de Gruyter
- Raupp, Hans-Joachim, "Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17" (1984), Olms
- Rosen, Valeska von, "Metzler Lexikon Kunstwissenschaft. Ideen, Methoden, Begriffe", pp.315~318 (2011), Verlag J. B. Metzler
- Schütz, Karl, "Vermeer. Das vollständige Werk" (2019), Taschen Verlag
- Schütze, Sebastian, "Caravaggio and His Followers in Rome", pp.26~47 (2011), Yale University Press
- Tümpel, Christian, "Rembrandt" (2019), Rowohlt Taschenbuch Verlag
- , aen-te-raden, verbreeden ende vercieren. Rhetorische Exempellehre und die Struktur des Bildes im Bild, "Wallraf-Richartz-Jahrbuch", 1994, 287~314
- Weber, Gregor J. M., "Vermeer Studies", pp.295~307 (1998), Yale University Press
- Wieseman, Marjorie E., "Johannes Vermeer. Vom Innehalten", pp.67~97 (2021), Sandstein Verlag
- Winkel, Marieke de, "Vermeer Studies", pp.327~339 (1998), Yale University Press