영화 <셰익스피어 인 러브>에 나타난 시대적 배경과 영상의 재현-르네상스시대의 공연예술과 초기자본주의 사회상을 중심으로
The historical backdrop and reproduction of the image in the film <Shakespeare in love>
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
A movie <Shakespeare in love> which brought its material from a historical character or incidents in the past was produced by a story suggestion through a historical fact. It is because Shakespeare created a story based on a mythical element related with his life in the plot which was written from the script of the play <Romeo and Juliet> and was on the show in the cinemas of London. It is an obvious fact that the historical drama of this movie was intentionally modified and the fictional story was added to episodes in order to create a dramatic effect. However, reflecting historical backgrounds and cultural aspects accurately through a historical study would also be an important factor. Therefore, the backgrounds and aspects presented in this movie are a kind of storytelling which was reconstructed as if a historian added his opinion to historical facts like a discourse. A historical background in <Shakespeare in love> was a story about Shakespeare who worked at the theater in London as a writer in 1593 the period of England Reneissance. The movie included the working and playwriting of Shakespeare who is a main character. This indicated not only the environment of the theater and literature during the reign of Queen Elizabeth I but also historical aspect in the early modern industrial society in England. This movie, that is, described that time as a recreation such as a cultural acceptance and an achievement of an initial capitalism in Renaissance in the life of characters. In particular, the factor of theaters flourishing during the Renaissance was because a newly emerging class, bourgeoisie, who held the capital emerging from a policy for middle class led to a box office hit through founding theaters and drama company and selling tickets and performing plays by themselves. Like this, the movie <Shakespeare in love> depicted the time led by plays to a industrialization. Moreover, Social aspects in the late 1500s were revealed in this movie through a depiction of the cinemas and the city of London. The depiction of the city of London reflected a social situation of an initial capitalism rapidly developed in trade and commerce. The social aspects such as conflicts between social classes based on getting richer and poorer, mammonism, a corrupted love between the male and the female, a immortality with growing brothels, religious and political conflicts with the foundation of the church in England were closely linked with characters' daily routine at that time in London and were reflected in this work overall. The reason why we highlight characters' job and custom like this in the movie <Shakespeare in love> is that these are ideationally inherent in a critical mind from people at that moment. The historical background and reproduction of the image depicted in the movie were focused on characters' daily routine and indicated the problem mentally and independently exposed in the form of initial capitalism.
Abstract
A movie <Shakespeare in love> which brought its material from a historical character or incidents in the past was produced by a story suggestion through a historical fact. It is because Shakespeare created a story based on a mythical element related with his life in the plot which was written from the script of the play <Romeo and Juliet> and was on the show in the cinemas of London. It is an obvious fact that the historical drama of this movie was intentionally modified and the fictional story was added to episodes in order to create a dramatic effect. However, reflecting historical backgrounds and cultural aspects accurately through a historical study would also be an important factor. Therefore, the backgrounds and aspects presented in this movie are a kind of storytelling which was reconstructed as if a historian added his opinion to historical facts like a discourse. A historical background in <Shakespeare in love> was a story about Shakespeare who worked at the theater in London as a writer in 1593 the period of England Reneissance. The movie included the working and playwriting of Shakespeare who is a main character. This indicated not only the environment of the theater and literature during the reign of Queen Elizabeth I but also historical aspect in the early modern industrial society in England. This movie, that is, described that time as a recreation such as a cultural acceptance and an achievement of an initial capitalism in Renaissance in the life of characters. In particular, the factor of theaters flourishing during the Renaissance was because a newly emerging class, bourgeoisie, who held the capital emerging from a policy for middle class led to a box office hit through founding theaters and drama company and selling tickets and performing plays by themselves. Like this, the movie <Shakespeare in love> depicted the time led by plays to a industrialization. Moreover, Social aspects in the late 1500s were revealed in this movie through a depiction of the cinemas and the city of London. The depiction of the city of London reflected a social situation of an initial capitalism rapidly developed in trade and commerce. The social aspects such as conflicts between social classes based on getting richer and poorer, mammonism, a corrupted love between the male and the female, a immortality with growing brothels, religious and political conflicts with the foundation of the church in England were closely linked with characters' daily routine at that time in London and were reflected in this work overall. The reason why we highlight characters' job and custom like this in the movie <Shakespeare in love> is that these are ideationally inherent in a critical mind from people at that moment. The historical background and reproduction of the image depicted in the movie were focused on characters' daily routine and indicated the problem mentally and independently exposed in the form of initial capitalism.
참고문헌 (37)
- 강석주, "셰익스피어 읽기" (2009), 신아사
- 권오숙, "셰익스피어와 후기 구조주의" (2007), 동인
- 김종인, "셰익스피어와 타자" (2006), 도서출판 동인
- 김일영, "연극과 영화의 이해" (2002), 느티나무
- 김희진, "영화로 읽는 셰익스피어 셰익스피어로 읽는 현대 문화" (2006), 동인
- 다우손 샘 윌리엄, "극과 극적 요소" (1984), 서울대출판부
- 랄프 스티븐슨, "예술로서의 영화" (1982), 설화당
- 루이스 자네티, "영화의 이해" (2010), 경문사
- 모로아 앙드레, "영국사" (1995), 기린원
- 문상득, "셰익스피어 비극의 연구" (1995), 한신문화사
- 문희경, "고전영문학의 흐름" (2000), 고려대출판부
- 송희복, "셰익스피어 영화관에 가다" (2005), 청동거울
- 알렉산더 캐서린, "셰익스피어 시대" (2006), 청아출판사
- 앙리 아젤, "영화미학" (1989), 탐구당
- 액슬로드 앨런, "엘리자베스 1세" (2000), 위즈덤하우스
- 웰스 스텐리, "셰익스피어, 그리고 그가 남긴 것" (2007), 이끌리오
- 이승구, "영화용어해설집" (1990), 영화진흥공사
- 이자원, "Shakespeare in Love(Scenario)" (2002), SCREENPLAY
- 임희완, "서양사의 이해" (1997), 박영사
- 장혜란, "영국 르네상스 드라마의 세계 1 : 튜더왕조 편" (2004), 동인
- 최영주, "셰익스피어라는 극장, 그리고 문화" (2006), 글누림
- 최혜실, "문화콘텐츠, 스토리텔링을 만나다" (2008), 삼성경제연구소
- 타임라이프북스, "엘리자베스여왕의 왕국" (2004), 가람
- 홍유미, "셰익스피어1" (1999), 평민사
- Bristol, Michael D, "Shakespeare and moral agency" (2010), Continuum
- Bristol, Michael D, "big time Shakespeare" (1996), Routledge
- Davis, Anthony, "The film version of Romio and Juliet", Shakespeare Survey, 49 (1996)
- Fisher-Lichete, Erika, "Interculturalism in Contemporary Theatre, In The Intercultural Performance Reader" (1996), Routledge
- Lupton, Julia Reinhard, "Thinking with Shakespeare" (2011), The University of Chicago Press
- Noble, Adrian, "How to do Shakespeare" (2010), Routledge
- Schoenbaum. S, "Shakespeare's Lives" (1991), The Oxford University
- Spurgeon, Carolin F. E., "Shakespeare's Imagery" (1960), Beacon
- 박순준, "역사교육에 영화를 자료로 활용하기-영화<셰익스피어 인 러브>를 중심으로", 인문학연구 (2001), 동의대인문과학연구소
- 박춘순, "영화 ‘셰익스피어 인 러브’에 나타난 의상분석", 충남생활과학연구지 (2002)
- 신겸수, "영화 『사랑에 빠진 셰익스피어』의 사실과 허구", Shakespeare Review, 41(1), pp.57~83 (2005), 한국셰익스피어학회
- 오세정, "영화 <셰익스피어 인 러브 Shakespeare in Love>의 스토리텔링과 포스트모던적 특성", 인문콘텐츠, (23), pp.213~235 (2011), 인문콘텐츠학회
- "셰익스피어 인 러브 Shakespeare in Love", John Madden 감독, 콜럼비아 트라이스타(세음미디어), ~ (1999)
