Building up an academic discipline on material assemblages: modern Europe’s museum developments and ‘museology’
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
At the turn of the century in which European colonialism was reaching its zenithand modernization was gathering speed, public museums were institutionalized. This paper looks into the part these European modern museums played interritorializing academic disciplines like anthropology and art history. The museumsto deal with are the British Museum and the National Gallery in London, Muséedu Louvre in Paris, and Museumsinsel in Berlin. Rather than in-depth detailedanalysis of each museum, the aim is to explore the ways in which these museologicalinstitutions interacting with modern disciplines in the wider colonial contextobjectified other cultures and formulated a framework of the world throughclassification and comparison of material things, on the basis of the judgementof their artistic values. This exploration is also to rethink theoretical positionsand perspectives on the museum in Korea. It is remarkable in Europe that suchacademic fields as history, art history, anthropology and cultural studies look fornew possibilities of museology in conjunction with the recent proliferation ofstudies on the museum as a medium to construct and deconstruct knowledge. Meanwhile, the mammoth European museums which are often considered astronghold of museology advocate the ‘universal museum’ themselves, quite themodern idea but in a revised rendering. Under these circumstances, this paperseeks to shed light on the definition of the museum as an arena in which scholarlydiscourses about art, culture and history can be created and contested, on theeffectiveness of the museum as a communication medium in a postcolonial era,and on the need to pay trans-disciplinary attention to the museum in its broadestsense.
Abstract
At the turn of the century in which European colonialism was reaching its zenithand modernization was gathering speed, public museums were institutionalized. This paper looks into the part these European modern museums played interritorializing academic disciplines like anthropology and art history. The museumsto deal with are the British Museum and the National Gallery in London, Muséedu Louvre in Paris, and Museumsinsel in Berlin. Rather than in-depth detailedanalysis of each museum, the aim is to explore the ways in which these museologicalinstitutions interacting with modern disciplines in the wider colonial contextobjectified other cultures and formulated a framework of the world throughclassification and comparison of material things, on the basis of the judgementof their artistic values. This exploration is also to rethink theoretical positionsand perspectives on the museum in Korea. It is remarkable in Europe that suchacademic fields as history, art history, anthropology and cultural studies look fornew possibilities of museology in conjunction with the recent proliferation ofstudies on the museum as a medium to construct and deconstruct knowledge. Meanwhile, the mammoth European museums which are often considered astronghold of museology advocate the ‘universal museum’ themselves, quite themodern idea but in a revised rendering. Under these circumstances, this paperseeks to shed light on the definition of the museum as an arena in which scholarlydiscourses about art, culture and history can be created and contested, on theeffectiveness of the museum as a communication medium in a postcolonial era,and on the need to pay trans-disciplinary attention to the museum in its broadestsense.
참고문헌 (61)
- ALDRICH, Robert, "Colonial Museums in a Postcolonial Europe", African and Black Diaspora: An International Journal, 2(2), pp.137~156 (2009)
- AMES, Michael, "Cannibal Tours and Glass Boxes: The Anthropology of Museums" (1992), University of British Columbia Press
- ANDERSON, Robert G. W., "The First Modern Museums of Art:The Birth of an Institution in 18th- and Early-19th-Century Europe", pp.47~72 (2012), J. Paul Getty Museum
- BALFOUR, Henry, "Museum Studies: An Anthology of Contexts", pp.218~224 (2003), Wiley-Blackwell
- BENNETT, Tony, "The Birth of the Museum: History, Theory, Politics" (1995), Routledge
- BILSEL, Can, "Antiquity on Display: Regimes of the Authentic in Berlin’s Pergamon Museum" (2012), Oxford University Press
- BOUQUET, Mary, "Academic Anthropology and the Museum: Back to the Future" (2001), Berghahn
- BRADLEY, John Lewis, "The Correspondence of John Ruskin and Charles Eliot Norton" (1987), Cambridge University Press
- CLIFFORD, James, "The Predicament of Culture:Twentieth-Century Ethnography, Literature, and Art", pp.117~151 (1988), Harvard University Press
- CLUNAS, Craig, "The Anthropology of Art: A Reader", pp.186~208 (2006), Blackwell Publishing
- CONKLIN, Alice L., "In the Museum of Man: Race, Anthropology, and Empire in France 1850-1950" (2013), Cornell University Press
- COOMBES, Annie, "Grasping the World: The Idea of the Museum", pp.278~297 (2004), Ashgate
- DEBAENE, Vincent, "Far Afield: French Anthropology between Science and Literature" (2004), University of Chicago Press
- DEKONINCK, Ralph, "Art History and Visual Studies: Transnational Discourses and National Frameworks", pp.315~333 (2012), Brill
- DIAS, Nélia, "Le Musée d’Ethnographie du Trocadéro (1878-1908): Anthropologie et Muséologie en France" (1991), CNRS
- DUNCAN, Carol, "Exhibiting Cultures: The Poetics and Politics of Museum Display", pp.88~103 (1991), Smithsonian Institution Press
- DUNCAN, Carol, "Civilizing Rituals: Inside Public Art Museums" (1995), Routledge
- DUNCAN, Carol, "The Universal Survey Museum", Art History, 3, pp.448~469 (1980)
- FYFE, Gordon, "A Companion to Museum Studies", pp.31~49 (2011), Blackwell Publishing
- GAETHGENS, Thomas W., "The First Modern Museums of Art: The Birth of an Institution in 18th- and Early-19th-Century Europe", pp.285~303 (2012), J. Paul Getty Museum
- GOSDEN, Chris, "Anthropology and Archaeology: A Changing Relationship" (1999), Routledge
- HANNERZ, Ulf, "Cosmopolitans and Locals in World Culture", Theory, Culture & Society, 7(2), pp.237~251 (1990)
- HAXTHAUSEN, Charles W., "The Two Art Histories: The Museum and the University" (2002), Yale University Press
- JOACHIMIDES, Alexis, "Museums and Memory", pp.200~219 (2000), Stanford University Press
- KEISCH, Claude, "The Alte Nationalgalerie" (2005), Scala Publishers
- KEURS, Pieter Ter, "Colonial Collections Revisited" (2007), CNWS Publications
- KUBLER, George, "The Shape of Time" (1962), Yale University Press
- LATOUR, Bruno, "Science in Action" (1987), Open University Press
- LIDCHI, Henrietta, "Representation: Cultural Representations and Signifying Practices", pp.151~221 (1997), Sage in association with the Open University
- MARCHAND, Suzanne, "Museums and Memory", pp.179~199 (2000), Stanford University Press
- MARCUS, George E., "Assemblage", Theory, Culture & Society, 23(2-3), pp.101~109 (2006)
- MASSON, David Mather, "The British Museum, Historical and Descriptive" (1850), William and Roberg Chambers
- MAUSS, Marcel, "Marcel Mauss, Oeuvres 3: Cohésion Sociale et Division de la Sociologie" (1969), Minuit
- MAUSS, Marcel, "Manual of Ethnography" (2007), Durkheim Press
- McCLELLAN, Andrew, "Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris" (1999), University of California Press
- McCLELLAN, Andrew, "Art and Its Publics", pp.1~50 (2003), Blackwell
- McCLELLAN, Andrew, "The Art Museum from Boullée to Bilbao" (2008), University of California Press
- McISAAC, Peter, "Museum of the Mind: German Modernity and the Dynamics of Collecting" (2007), Pennsylvania State University
- MITCHELL, Timothy, "Colonialism and Culture", pp.289~317 (1992), The University of Michigan Press
- POMMIER, Edouard, "Winckelmann, Inventeur de l’Histoire de l’Art" (2003), Gallimard
- POULOT, Dominique, "Art History and Visual Studies: Transnational Discourses and National Frameworks", pp.197~216 (2012), Brill
- PREZIOSI, Donald, "Brain of the Earth’s Body: Art, Museums, and the Phantasms of Modernity" (2003), University of Minnesota Press
- PREZIOSI, Donald, "A Companion to Museum Studies", pp.50~63 (2011), Blackwell Publishing
- PRICE, Sally, "Paris Primitive" (2007), University of Chicago Press
- PRICE, Sally, "Au Musée des Illusions, Le Rendez-Vous Manqué du Quai Branly" (2011), Denoël
- PRIOR, Nick, "Museums and Modernity: Art Galleries and the Making of Modern Culture" (2002), Berg
- RUSKIN, John, "Report of the National Gallery Site Commission: Together with Minutes, Evidence, Appendix and Index" (1857), Harrison & Sons
- SHEEHAN, James J., "Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism" (2000), Oxford University Press
- SHELTON, Anthony Alan, "A Companion to Museum Studies", pp.64~80 (2011), Blackwell Publishing
- SPITTA, Silvia, "Misplaced Objects: Migrating Collections and Recollections in Europe and Americas" (2009), University of Texas Press
- STERNBERGER, Dolf, "Panorama of the Nineteenth Century" (1977), Urizen Books
- STOCKHAUSEN, Tilman von, "Selling Berlin: Imagebildung und Stadtmarketing von der preußischen Residenz bis zur Bundeshauptstadt", pp.107~115 (2008), Franz Steiner
- TAYLOR, Brandon, "Art for the Nation: Exhibitions and the London Public, 1747-2001" (1999), Manchester University Press
- THERRIEN, Lyne, "L’Histoire de l’Art en France: Genèse d’une Discipline Universitaire" (1998), C.T.H.S.
- THOMAS, Nicholas, "Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific" (1991), Harvard University Press
- TURNER, Victor, "Frame, Flow and Reflection: Ritual and Drama as Public Liminality", Japanese Journal of Religious Studies, 6(4), pp.465~499 (1977)
- VAN DER VEER, Peter, "Conceiving Cosmopolitanism: Theory, Context, and Practice", pp.165~179 (2002), Oxford University Press
- WEISBERG, Gabriel P., "Art History and Its Institutions:Foundations of a Discipline", pp.178~190 (2002), Routledge
- WHITEHEAD, Christopher, "Museums and the Construction of Disciplines: Art and Archaeology in Nineteenth-Century Britain" (2009), Duckworth
- WILKES, John, "The speeches of John Wilkes, one of the knights of the shire for the county of Middlesex" (1977), Fielding and Walker
- WOODSON-BOULTON, Amy, "The Art of Compromise: the Founding of the National Gallery of British Art, 1890-1892", Museum and Society, 1(3), pp.147~169 (2003)