‘R16 코리아’ 대회의 문화콘텐츠적 가치
Significance of the R16 Korea Contest as Culture Contents
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Significance of the R16 Korea Contest as Culture Contents. Known for relentless practice and intense moves, widespread presence on the Internet, strong ethnic elements highlighting Korean physical attributes and collective culture, b-boying occupies a special place in Korea today. News of four consecutive wins in major b-boy contests around the world have changed the common public conception that b-boys are simply a group of problem boys and students in hip-hop clothes intent on showing off their dance moves. B-boying is no longer perceived as a dance that is performed in the shadowy underground but as a dynamic and beautiful art form of physical expression that is part of today’s popular culture. This paper examines the significance of R-16 Korea as culture contents and its main event, the World B-boy Masters Championship. It introduces how the contest has developed since 2007 to reach popular influence and gain international recognition. The paper also compares R-16 Korea to the world’s four major b-boy contests, Battle Of The Year, UK B-boy Championship, Free Style Session, and Red Bull BC One to see if any distinctions could be found among them and to evaluate the significance of R-16 Korea as cultural content in its rise to one of the world’s top 5 major b-boy contests. Finally, this study makes suggestions for b-boying to become more established as part of Korea’s culture contents.
Abstract
Significance of the R16 Korea Contest as Culture Contents. Known for relentless practice and intense moves, widespread presence on the Internet, strong ethnic elements highlighting Korean physical attributes and collective culture, b-boying occupies a special place in Korea today. News of four consecutive wins in major b-boy contests around the world have changed the common public conception that b-boys are simply a group of problem boys and students in hip-hop clothes intent on showing off their dance moves. B-boying is no longer perceived as a dance that is performed in the shadowy underground but as a dynamic and beautiful art form of physical expression that is part of today’s popular culture. This paper examines the significance of R-16 Korea as culture contents and its main event, the World B-boy Masters Championship. It introduces how the contest has developed since 2007 to reach popular influence and gain international recognition. The paper also compares R-16 Korea to the world’s four major b-boy contests, Battle Of The Year, UK B-boy Championship, Free Style Session, and Red Bull BC One to see if any distinctions could be found among them and to evaluate the significance of R-16 Korea as cultural content in its rise to one of the world’s top 5 major b-boy contests. Finally, this study makes suggestions for b-boying to become more established as part of Korea’s culture contents.
참고문헌 (20)
- 김기국, "대한민국 비보이 크루의 대중성과 차별성", 비교한국학 Comparative Korean Studies, 20(1), pp.9~32 (2012), 국제비교한국학회[DOI]
- 김수용, "힙합", pp.1~24 (2004), 서울문화사
- 김영대, "한국 힙합, 열정의 발자취" (2008), 한울
- 김정훈, "위대한 힙합 아티스트" (2004), 살림
- 김효근, "춤으로 세계를 제패하다, 대한민국 B-boy" (2006), 길벗
- 박선희, "댄스배틀 1" (2007), 홍진 P&M
- 박형준, "박형준의 B-boy School" (2006), 도서출판 래
- 이우재, "힙합, 새로운 예술의 탄생" (2010), 돋을새김
- R16 세계비보이대회 개최효과 및 발전방안 최종보고서, "한국이벤트경영연구소", ~ (2013)
- ‘R-16 Korea Sparkling’ 결과보고서, "한국관광공사", ~ (2009)
- R-16 Korea Wolrd B-Boy Masters Championship 결과보고서, "한국관광공사", ~ (2014)
- "더키 & 너클, 인터뷰, 2013.11.13. & 2014.02.04", ~ (2013)
- "갬블러 크루 카페"[URL]
- "코리안락"[URL]
- "BboyWorld"[URL]
- "BOTY"[URL]
- "Freestyle Session"[URL]
- "Red Bull BC One"[URL]
- "R-16 코리아"[URL]
- "UK Bboy Championship"[URL]
