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论陶渊明对16世纪朝鲜文人诗歌创作的影响-以林亿龄为例-

On the Influence of Tao Yuan-ming on the Poetry Creation of Joseon Scholar of the 16th Century-Take Lin Yi-ling for Example-

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주제분류중국어와문학

초록

“桃花源”这一陶渊明刻画出的超越世俗的幻想国度一直被16世纪朝鲜文人林亿龄所憧憬。他一生的文学创作始终与陶渊明存在着很多契合点, 但 “归去来”, 对一个忠实于经世济民理念的士大夫来说, 却始终作为理想而难以实现。在现实生活中, 林亿龄只能借用 “隐逸”二字来充实自身的虚无感, 或以此来掩盖现实的种种矛盾, 直至暮年方可真正超脱而达观地审视世俗社会, 彻底追求隐逸生活, 从而体验并领悟到了淡泊而自由的 “风流客”生活中的诗意。在文学创作上, 林亿龄推崇 “吟咏性情”的诗歌风尚, 从性情的自然流露中获取创作灵感, 不拘束于修饰和韵律限制, 展现了朴实、平淡的审美风格。

Abstract

“The Peach Garden”—Tao Yuan-ming’s fantasy country beyond the secular world has always been the vision of Lin Yi-ling. And His literary creation has always been consistent with Tao Yuan-ming. But “seclusion” is just a bubble for a scholar-bureaucrat who is faithful to the idea of Govern and benefit the people. In real life, Lin Yi-ling could only use the word “seclusion” to enrich his sense of nothingness or to cover up the reality of the various difficulties. It is only in the twilight of life that one can truly look beyond the world and philosophically. Pursue a life of seclusion greatly, and truly experience and comprehend the poetry of insipid and free “romantic guest” life. In literary creation, Lin Yi-ling advocates the poetic fashion of “intoning temperament”, get creative inspiration from the natural outpouring of temperament. Free from embellishment and rhythmic restrictions, and created a simple, insipid aesthetic style.

참고문헌 (13)

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  2. 林亿龄, "石川诗集" (1988), 民族文化推进会
  3. 林亿龄, "石川集" (1989), 丽江出版社
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  9. 辛恩卿, "风流-东亚美学的根源" (1999), 宝库社
  10. 权赫明, "石川林亿龄的生涯及诗风的变貌", 硕士, pp.2002
  11. 崔汉善, "陶渊明对湖南诗坛的影响", 东亚人文学, 6 (2004), 东亚人文学会
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  13. 金镛镇, "石川林亿龄汉诗文学研究" (2016), 民族出版社

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