木齋 洪汝河의 저술과 문예의식

Abstract

The 17th century was a very chaotic period under the great proposition that the order of East Asia was being reestablished outside, and the reorganization of the national base for overcoming the war inside. During this period, Mokjae(木齋) was a central figure in the succession and development of the Neo-Confucianism of Juja(朱子) and Toegye(退溪) as the original ideas of the Yeongnam Namin(嶺南南人). Therefore, in this thesis, it is necessary to examine his writings that reflect the ideas and values of Mokjae(木齋) and The study was conducted based on the belief that a study on the characteristics of the literary consciousness reflected in the writing was essential for understanding the literary consciousness that was leading the literary circles of Joseon at the time. Through the works of various genres that Mokjae(木齋) left in the writings of 12 volumes and 6 books, we could see his literary talent and through two large historical books, <彙纂麗史> and <東國通鑑提綱>, he was reading the flow of the times with a cool eye in a time of confusion and it can be seen that he was deeply concerned about the historical consciousness and tasks necessary for the country and the people. Through this, the literary consciousness of Mokjae(木齋) could be concluded as the knowledge succession of Dobonmoonmal(道本文末), the investigation of Myeongri(明理) and the emphasis of Jori(條理), the personification of literature through Jonsimyangseong(存心養性), and the implement of the writing that govern the world through the Gyeongse(經世) consciousness. Accordingly, it was possible to examine a rough understanding of the literary ritual that led the literary arts of Joseon in the 17th century and the unique literary consciousness of the Yeongnam Namin(嶺南南人).