木齋 洪汝河의 漢詩 창작양상

Abstract

Mokjae(木齋) Hong yeo-ha(洪汝河, 1620～1674) is a literary representative of the 17th-century Yeongnam Namin(嶺南南人, a school of Southerners of Yeongnam Province), but so far his research has been concentrated on historians and scholars. He was a poet who left behind 390 poems, but his research on poetry was only a fraction of the Mokjae poems. Therefore, in this paper, we tried to look into the total number of 390 poems in volumes 1 and 2 of The 『Mokjae literary collection(木齋集)』. Chinese poems creates a character for the rest of his life, and since the emotions and emotions of his entire life are melted, he cannot think apart from the character's life. So, first, we tried to look at the life of Mokjae and classify the whole into 390 poems,, based on the form, sanctions, and creative method to examine the typical poetry writing characteristics and creative patterns of Mokjae poems. Through classification by formality, I aimed for the creation of formal modern poems(近體詩) and magnification poems(排律詩), and found that other miscellaneous poems(雜體詩) were avoided. Through the classification by sanctions, poetry writing was a lot with the relationship between people in mind, and I was able to pay attention to works such as reading poems(讀書詩) that impressed with academic research, rural poems(田園詩) and excursion poems(遊覽詩) related to my life. Through the classification by the creative method, I also found out that there are many works such as series of poetry(聯作詩) for efficient organization of memory, expression of heightened emotions, and logical development of thoughts, and rhyme-echoing borrowing(和次韻詩), which is considered as a means of motivation and stimulation of creative creation. Through this, he outlined his attitude toward life and the creative pattern of Chinese poems, and it was possible to get a glimpse of what the Mokjae was in the confused times parnassus, but this paper alone is not enough to understand the whole. This study is only a cornerstone to examine the whole Mokjae poems more closely. It is expected that detailed studies on poetic aesthetics and expressions of individual poems will continue in the future.