洗心亭 관련 한시에 나타난 공간감성과 그 의미

Abstract

The purpose of this study is to examine the spatial sensitivity and meaning created in the space through related poems, paying attention to Sesimjeong(洗心亭) of Sancheong, Gyeongsangnam-do as a literary creation space. Sesimjeong(洗心亭) was a pavilion located near Deokcheon-seowon(德川書院) in Sancheong, Gyeongsangnam-do, and from its name, it can be seen that the space wanted to aim for. In addition, since Deokcheon-seowon(德川書院) is a space to honor Nammyeong(南冥) Cho Shik’s(曺植), it can be assumed that many of the sensibilities generated in this pavilion are related to Nammyeong(南冥 ). Space is closely related to human experience, and the interaction that occurs between space and humans is spatial sensitivity. Spatial sensitivity is revealed in various ways depending on the nature of the space, the passage of time, and the subject of recognition, the artist, and this aspect can be seen well in the 74 Chinese poems written by more than 60 artists related to the remaining meticulous process. Sesimjeong(洗心亭) was a space where DoHak(道學) sensibility was mainly created in that the name of the pavilion was "Sesim(洗心)" and its location and construction purpose were closely related to Deokcheon-seowon(德川書院). While most of the pavilion's works are created around the landscape, Sesimjeong(洗心亭) is characterized by the fact that the sensibility generated by the location and name of the pavilion is very important. In addition, the majority of works created after the 18th century have been made, indicating that Sesimjeong(洗心亭) has become a space that continues to evoke the sensibility of the Seowon after the demolition of Deokcheon-seowon(德川書院) in 1871. This clearly shows that Sesimjeong(洗心亭) is included in the cultural space centered on the Seowon, which served as a central body to inherit the thoughts and values he pursued after the death of Nammyeong(南冥).