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Internal Desires, Questions of Identities and External Outcomes in Nella Larsen’s Passing

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In Passing, Nella Larsen explores the general themes of “passing,” that is, one race attempting to be taken as another, through the actions of her two protagonists, Irene Redfield and Clare Kendry. While Clare is able to pass as a white woman, she still secretly longs for acceptance into black society. Her counterpoint, Irene, while having been accepted into black society, disparages the very notion of passing. That being said, Irene's actions appear to negate this belief and betray her internal desires to also be accepted into white society. Furthermore, Clare is unable to fully pass due to her inclination towards the society that she had outwardly rejected. Through these two female characters, Larsen poignantly illustrates that pervasive internal desires are the predominant determiners of external outcomes, regardless of established outward behaviors, opinions, or beliefs.

Abstract

In Passing, Nella Larsen explores the general themes of “passing,” that is, one race attempting to be taken as another, through the actions of her two protagonists, Irene Redfield and Clare Kendry. While Clare is able to pass as a white woman, she still secretly longs for acceptance into black society. Her counterpoint, Irene, while having been accepted into black society, disparages the very notion of passing. That being said, Irene's actions appear to negate this belief and betray her internal desires to also be accepted into white society. Furthermore, Clare is unable to fully pass due to her inclination towards the society that she had outwardly rejected. Through these two female characters, Larsen poignantly illustrates that pervasive internal desires are the predominant determiners of external outcomes, regardless of established outward behaviors, opinions, or beliefs.

참고문헌 (17)

  1. Appiah, Anthony, "Africana: The Encyclopedia of the African and African American Experience" (1999), Basic Civitas Books
  2. Blackmer, Corinne E., "The Veils of the Law: Race and Sexuality in Nella Larsen's Passing", College Literature, 22(3), pp.50~67 (1995)
  3. Brody, Jennifer DeVere, "Clare Kendry’s ‘True’ Colors: Race and Class Conflict in Nella Larsen’s Passing", Callaloo, 15(4), pp.1053~1065 (1992)
  4. Dawahare, Anthony, "The Gold Standard of Racial Identity in Nella Larsen's Quicksand and Passing", Twentieth Century Literature, 52(1), pp.22~41 (2006)
  5. Ginsberg, Elaine K., "Passing and the Fictions of Identity" (1996), Duke Univ. Press
  6. Harrison-Kahan, Lori, "Her ‘Nig’: Returning the Gaze of Nella Larsen’s Passing", Modern Language Studies, 32(2), pp.109~138 (2002)
  7. Hutchinson, George, "In Search of Nella Larsen: A Biography of the Color Line" (2006), Harvard Univ. Press
  8. Jenkins, Candice M., "Decoding Essentialism: Cultural Authenticity and the Black Bourgeoisie in Nella Larsen's Passing", MELUS, 30(3), pp.129~154 (2005)
  9. Larsen, Nella, "Quicksand and Passing" (2000), Rutgers Univ. Press
  10. Little, Jonathan, "Nella Larsen’s Passing: Irony and the Critics", African American Review, 26(1), pp.173~182 (1992)
  11. Lutes, J. M., "Making Up Race: Jessie Fauset, Nella Larsen, and the African American Cosmetics Industry", Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 58(1), pp.77~108 (2002)
  12. Moynihan, Sinead, "Passing Into The Present: Contemporary American Fiction of Racial and Gender Passing" (2010), Manchester Univ. Press
  13. Ramon, D. L., "‘You’re Neither One Thing (N)or The Other’: Nella Larsen, Philip Roth, and The Passing Trope", Philip Roth Studies, 8(1), pp.45~61 (2012)
  14. Sullivan, Nell, "Nella Larsen’s Passing and the Fading Subject", African American Review, 32(3), pp.378~386 (1998)
  15. Tate, Claudia, "Nella Larsen’s Passing: A Problem of Interpretation", Black American Literature Forum, 14(4), pp.142~146 (1980)
  16. Toth, Josh, "Deauthenticating Community: The Passing Intrusion of Clare Kendry in Nella Larsen's Passing", MELUS, 33(1), pp.55~73 (2008)
  17. Van Thompson, Carlyle, "‘Makin a Way Outta No Way:’ The Dangerous Business of Racial Masquerade in Nella Larsen's Passing", Women & Performance: a Journal of Feminist Theory, 15(1), pp.79~104 (2005)

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