아나키에서 희망의 여행으로: 『빼앗긴 자들』에 나타난 어슐러 르 귄의 휴머니즘
From Anarchy towards Journey of Hope: Ursula Le Guin’s Humanism in The Dispossessed
2
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
This study researches the relationship between anarchism and humanism in Ursula Le Guin’s The Dispossessed. Historically anarchism has been expressed in various theories on humans’ thirst for freedom. Classical anarchism criticizes state and political power and advocates violent actions, while social anarchism maximizes individual freedom, seeks the value of community, and sets a high value on mutual cooperation and solidarity. The representatives social anarchism are Peter Kropotkin and Emma Goldman. Le Guin who is a science fiction and fantasy writer, accepts the principles and theories of anarchism, but also reinterprets them. Le Guin puts greater emphasis on human freedom and potential possibilities than political ideas and theories and seeks to change social and individual life entirely. The protagonist of The Dispossessed, Shevek overcomes limitations through his journey to Urras. He leaves his home planet, Annares, and recognizes that a gap exists in an ideal he seeks. He changes his individuality through the discovery and realization of the wall. Anarchistic ideals never disappeared in The Dispossessed. such ideals are achieved completed through the action of Shevek returning to his home planet, Annares. Shevek’s return is an expression of his will to embody hope and possibility, and completion of human existence. Through The Dispossessed, Le Guin attempted to fully understand anarchism, known for its dangerous and violent theories. However, she was involved in and connected to the individual and society; she did not reject and exclude either of them.
Abstract
This study researches the relationship between anarchism and humanism in Ursula Le Guin’s The Dispossessed. Historically anarchism has been expressed in various theories on humans’ thirst for freedom. Classical anarchism criticizes state and political power and advocates violent actions, while social anarchism maximizes individual freedom, seeks the value of community, and sets a high value on mutual cooperation and solidarity. The representatives social anarchism are Peter Kropotkin and Emma Goldman. Le Guin who is a science fiction and fantasy writer, accepts the principles and theories of anarchism, but also reinterprets them. Le Guin puts greater emphasis on human freedom and potential possibilities than political ideas and theories and seeks to change social and individual life entirely. The protagonist of The Dispossessed, Shevek overcomes limitations through his journey to Urras. He leaves his home planet, Annares, and recognizes that a gap exists in an ideal he seeks. He changes his individuality through the discovery and realization of the wall. Anarchistic ideals never disappeared in The Dispossessed. such ideals are achieved completed through the action of Shevek returning to his home planet, Annares. Shevek’s return is an expression of his will to embody hope and possibility, and completion of human existence. Through The Dispossessed, Le Guin attempted to fully understand anarchism, known for its dangerous and violent theories. However, she was involved in and connected to the individual and society; she did not reject and exclude either of them.
참고문헌 (16)
- 골드만 엠마, "저주받은 아나키즘" (2001), 우물이 있는 집
- 정익순, "문학과 철학적 담론으로서의 ‘가능 세계’ -『유토피아』와 『걸리버 여행기』를 중심으로-", 영어영문학연구, 50(3), pp.343~360 (2008), 한국중앙영어영문학회
- 하승우, "아나키즘" (2008), 책세상
- 하승우, "세계를 뒤흔든 상호부조론" (2006), 그린비
- Benfield, Susan Storing, "The Interplanetary Dialectic: Freedom and Equality in Ursula Le Guin’s The Dispossessed", Perspectives on Political Science, 35(3), pp.128~134 (2006)
- Bloom, Harold, "Ursula K. Le Guin" (1986), Chelsea House Publishers
- Burns, Tony, "Political Theory, Science Fiction, And Utopian Literature" (2008), Lexington Books
- Call, Lewis, "Postmodern Anarchism in the Novels of Ursula K. Le Guin", SubStance, 36(2), pp.87~105 (2007)
- Cummins, Elizabeth, "Understing Ursula K. Le Guin" (1993), U of South Carolina P
- Curtis, Claire P., "The New Utopian Politics of Ursula K. Le Guin’s The Dispossessed", pp.265~282 (2005), Lexington Books
- Davis, Laurence, "The New Utopian Politics of Ursula K. Le Guin’s The Dispossessed", pp.6~27 (2005), Lexington Books
- Elliot, Winter, "The New Utopian Politics of Ursula K. Le Guin’s The Dispossessed", pp.149~164 (2005), Lexington Books
- Le Guin, Ursula K, "The Wind’s Twelve Quarters", pp.285~297 (1975), Harper & Row
- Le Guin, "The Dispossessed: An Ambiguous Utopia" (1974), Eos, HarperCollins
- Le Guin, "The Left Hand of Darkness" (1969), Ace Books
- McCaffery, Larry, "Across the Wounded Galaxies", pp.151~175 (1990), U of Illinois P
