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『鶴山樵談』의 三唐詩人論과 李達詩의 盛唐風 考察

The consideration about Three Tang Poet Theory of HakSanChoDam andSongTang Poetic style of LeeDal's poem

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The HakSanChoDam written by Heo Gyun(허균) is a Poetic theory from Chosun Dynasty in 1593. In those days, the style in Poetical circles inclined toward the tranditional customs following the Song Poetical style of SoSik(소식)and HwangJungGyun(황정견) However, with the influence of Ming’s civilization, this style of poetry changed into a new trend that follows Tang’s Poem but excluds Song’s The leaders of this poetic style, called "Three Tang Poets', are LeeDal, (이달)ChoiKyungChang(최경창), and Baekgwanghun. (백광훈) In this way, <HaksanChoDam> was a poetic theory treating the style of the middle of the Choson Dynasty.

Abstract

The HakSanChoDam written by Heo Gyun(허균) is a Poetic theory from Chosun Dynasty in 1593. In those days, the style in Poetical circles inclined toward the tranditional customs following the Song Poetical style of SoSik(소식)and HwangJungGyun(황정견) However, with the influence of Ming’s civilization, this style of poetry changed into a new trend that follows Tang’s Poem but excluds Song’s The leaders of this poetic style, called "Three Tang Poets', are LeeDal, (이달)ChoiKyungChang(최경창), and Baekgwanghun. (백광훈) In this way, <HaksanChoDam> was a poetic theory treating the style of the middle of the Choson Dynasty.

참고문헌 (14)

  1. 허경진, "許筠의 詩話" (1982)
  2. 趙鍾業編, "韓國詩話叢編" (1989)
  3. 박철희, "韓國詩史硏究" (1980)
  4. 李家源, "韓國漢文學史" (1983), 보성문화사
  5. 趙鍾業, "韓國詩話硏究" (1991)
  6. 이종은, "韓國歷代詩話類編" (1988)
  7. 柳晟俊, "韓國漢詩와 唐詩의 比較" (2002), 푸른사상
  8. 조융희, "朝鮮中期漢詩批評論" (2003), 韓國文化社
  9. 張 健, "淸代詩學硏究" (1999), 北京大學出版社
  10. 嚴羽, "滄浪詩話校釋" (1998), 人民文學出版社
  11. 臺靜農, "百種詩話叢編" (1974)
  12. 李曰剛, "中國詩歌流變史" (1987), 文津出版社
  13. 柳晟俊, "王維詩比較硏究" (1999), 北京京華出版社
  14. 柳晟俊, "王維詩比較硏究" (1999), 北京京華出版社

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