「1930년대 중국 대중 만화 잡지와 사랑의 풍속」(1)- 『상하이만화』, 『스다이만화』, 『만화성훠』를 중심으로
“Cartoon Periodicals and Discourse of Love in the 1930’s China”
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This thesis scrutinizes the love discourse in the three major cartoon periodicals, Shanghai Manhua(Shanghai Sketch), Shidai Manhua(Modern Sketch), and Manhua Shenghuo in the 1920’s and 30’s Modern China, while probing cartoons, sketches, photos, essays, or advertisements. First, I examine the description of a “modern girl” and “modern boy.” These most representative performers of a modern love stand out in their western fashion. Around at the 1930s, they gradually come to include numerous masses in the metropolitan Shanghai, not to mention intellectuals. Secondly, through customs and routines of love, Chinese lovers brought a novel concept of space and time, contrary to those of tradition. On the other hand, they also learned and imitated how to love in a modern terms through lots of western romances, theories on love, love letters, or gossips on love. Overall, the love discourses in the comic periodicals of the 1930’s China gave a birth to a “modern man” whose process was entangled with building a nation-state in modern times.
Abstract
This thesis scrutinizes the love discourse in the three major cartoon periodicals, Shanghai Manhua(Shanghai Sketch), Shidai Manhua(Modern Sketch), and Manhua Shenghuo in the 1920’s and 30’s Modern China, while probing cartoons, sketches, photos, essays, or advertisements. First, I examine the description of a “modern girl” and “modern boy.” These most representative performers of a modern love stand out in their western fashion. Around at the 1930s, they gradually come to include numerous masses in the metropolitan Shanghai, not to mention intellectuals. Secondly, through customs and routines of love, Chinese lovers brought a novel concept of space and time, contrary to those of tradition. On the other hand, they also learned and imitated how to love in a modern terms through lots of western romances, theories on love, love letters, or gossips on love. Overall, the love discourses in the comic periodicals of the 1930’s China gave a birth to a “modern man” whose process was entangled with building a nation-state in modern times.
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