古樂府 「烏夜啼」와 「烏棲曲」의 起源과 繼承 연구 - 六朝 시기 樂府詩를 中心으로
Study of the origin and succesion of old Yuefu poetry <Wuxiqu> and <Wuyeti>
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Old yuefu poetry “Wuyeti” is a ballad of the feminine sensibility, which combined the eventual emotion of a woman who was abandoned by sweetheart and the the atmosphere of the southern provinces in old China. The sadness of abandoned woman was such a familiar feeling in the field of classic Chinese poetry. It could have been found frequently and very much in the literary forms from the beginning of the Chinese poetic history. There were many crows in old China, especially southern provinces. People could always see crows and hear the sound in town and country. Frequent appearance of crow in the folk ballad of southern provinces was natural. People had got various feelings day and night from the cry of crows of the real world or of the lyric songs. The title of Old yuefu poetry “Crow cried at night” meant every important things of the poetry. It explained the tragic lonesomeness of the heroine who couldn’t fall asleeping at night until dawn, hearing cry of crows that were belived to share the sad emotion of abandonment. “Wuyeti” was a weak and passive appeal of complain, could be heard everywhere in old china from every common ladies. It’s emotion was based on feeling that was shared by public members of common provinces. so the myth of crows that would usher in good news and accomplish wish for the noble class who suffered from some unfair events. Common yuefu poetry did not need that legendary origin. Jianwendi, the emperor of liang dynasty had the poetic ability, he divined two yuefu poems-“Wuyet-Crow crying nighti” and “Wuyexi-Crow sleeping Night” from old yuefu poetry “Wuyeti”. He composed many poems and defined the difference of two. “Crow crying night” was tragic mood like old “Wuyeti”. “Crow sleeping night” was lyrical romance of love adventure of southern province folk guys including noble ones. The standard of Jianwendi had been accepted by other poets of classic chinese world for long period.
Abstract
Old yuefu poetry “Wuyeti” is a ballad of the feminine sensibility, which combined the eventual emotion of a woman who was abandoned by sweetheart and the the atmosphere of the southern provinces in old China. The sadness of abandoned woman was such a familiar feeling in the field of classic Chinese poetry. It could have been found frequently and very much in the literary forms from the beginning of the Chinese poetic history. There were many crows in old China, especially southern provinces. People could always see crows and hear the sound in town and country. Frequent appearance of crow in the folk ballad of southern provinces was natural. People had got various feelings day and night from the cry of crows of the real world or of the lyric songs. The title of Old yuefu poetry “Crow cried at night” meant every important things of the poetry. It explained the tragic lonesomeness of the heroine who couldn’t fall asleeping at night until dawn, hearing cry of crows that were belived to share the sad emotion of abandonment. “Wuyeti” was a weak and passive appeal of complain, could be heard everywhere in old china from every common ladies. It’s emotion was based on feeling that was shared by public members of common provinces. so the myth of crows that would usher in good news and accomplish wish for the noble class who suffered from some unfair events. Common yuefu poetry did not need that legendary origin. Jianwendi, the emperor of liang dynasty had the poetic ability, he divined two yuefu poems-“Wuyet-Crow crying nighti” and “Wuyexi-Crow sleeping Night” from old yuefu poetry “Wuyeti”. He composed many poems and defined the difference of two. “Crow crying night” was tragic mood like old “Wuyeti”. “Crow sleeping night” was lyrical romance of love adventure of southern province folk guys including noble ones. The standard of Jianwendi had been accepted by other poets of classic chinese world for long period.
참고문헌 (33)
- 김학주, "中國文學槪論" (1991), 신아사
- 서경호, "중국 문학의 발생과 그 변화의 궤적" (2003), 문학과 지성사
- 서용준, "李白 樂府詩 <烏棲曲> 硏究-시의 화자를 중심으로", 중국문학, 64, pp.75~106 (2010), 한국중국어문학회
- 안동환, "악부민가에 나타난 남북조 생활상 비교", 中國人文科學, (19) (1999), 중국인문학회
- 지세화, "漢代 民間 樂府詩의 敍事性 考察", 중국연구, 33, pp.3~23 (2004), 중국연구소
- 가와이 고죠, "중국 고전시, 계보의 시학" (2005), 이회
- Dore J. Levy, "Chinese Narrative Poetry: The Late Han through T’ang Dynasties" (1988), Duke University Press
- Joseph R. Allen, "In the Voice of Others" (1992), The University of Michigan
- Robert E. Hegel, "Expressions of Self in Chinese Literature" (1985), Columbia University Press
- 晁成林, "試論故事詩在漢魏六朝發展中的衰退", 宜賓學院學報, (2) (2006), 宜賓學院
- 陳恩維, "論模擬與南朝宮體詩人的新變策略", 學術探索, (5) (2009), 雲南省社會科學界聯合會
- 傅煒莉, "論西晋樂府詩中故事體歌詩表演方式對內容的影響", 井岡山大學學報(社會科學版), 33(1) (2012)
- 郭茂倩, "樂府詩集" (1998), 中華書局
- 胡大雷, "論中古樂府歌辭的原生態狀況", 廣西師范學院學報(哲學社會科學版), 32(4) (2011), 廣西師范學院
- 李春祥, "樂府詩鑑賞辭典" (1990), 中州古籍出版社
- 劉加夫, "蕭綱樂府詩論", 山東師范大學學報(人文社會科學版), 54(6) (2009), 山東師范大學
- 羅根澤, "樂府文學史" (1996), 東方出版社
- 彭黎明, "全樂府" (2011), 上海交通大學出版社
- 强中華, "蕭梁帝王詩歌題材琑屑的多重原因", 北方論叢, (6) (2010), 哈爾濱師範大學
- 沈元林, "再評宮體詩", 天府新論, (3) (2000), 四川省社會科學界聯合會
- 王莉, "論烏夜啼曲牌來源及其塡制", 玉林師范學院學報(哲學社會科學), 33(4) (2012), 玉林師范學院
- 王立增, "烏夜啼本事考", 貴州文史叢刊, (1) (2008), 貴州省文史硏究館
- 吳相洲, "關于建構樂府學的思考", 北京大學學報(哲學社會科學版), 43(3) (2006), 北京大學
- 吳兆宜, "玉臺新詠箋注" (1999), 中華書局
- 向回, "樂府學第三輯" (2008), 學苑出版社
- 向回, "試論樂府詩曲名與本事之關係", 石家莊學院學報, 14(4) (2012), 石家莊學院
- 向回, "樂府學第七輯" (2012), 學苑出版社
- 向回, "樂府學第六輯" (2010), 學苑出版社
- 蕭滌非, "漢魏六朝樂府文学史" (1976), 長安出版社
- 顔慶餘, "樂府學第二輯" (2007), 學苑出版社
- 曾曉峰, "試析漢樂府文事相依的傳播特點", 中南民族大學學報(人文社會科學版), 24(2) (2004), 國家民族事務委員會
- 詹鍈, "李白全集校注彙釋集評" (1996), 百花文藝出版社
- 左漢林, "烏夜啼本事與烏象徵意義的變遷論考", 山西大學學報(哲學社會科學版), 29(5) (2006), 山西大學
