李賀 樂府의 이전시기 樂府에 대한 수용과 변형에 관한 분석

Abstract

The purpose of this study is to clarify the origin and originality of Lihe's Yuefu by analyzing the contents and creative techniques of his Yuefu recorded in Guo mao qian' s Yuefushiji. Approximately 24 poems out of 56 poems of Yuefu recorded in "Yuefushiji" are women's lyric poems, especially those expressing sorrows that yearn for a lover's lover or singing love for men and women. He focused mainly on the depiction of the female figure and surrounding environment at the observer's point of view, and used the technique of projecting on the physical object rather than expressing the poetic speaker’s lyricism of truthfully. The Guyuefus, imitated by him, were mostly Yuefu, imitated by the writers of Liangcheng period, and in terms of the creation of costumes, and in the creation of costumes and mood, and also in linguistic expression, developed features of Gongti of Liangcheng period more sophisticatedly. On the other hand, the realistic works of Lihe's Yuefu are only 7 poems. There has been an attempt to interpret his Yuefu in connection with the historical situation at the time of Li he's survival, but as a result of the analysis, it does not correspond to the fact. The 'reflection of reality' and 'spirit of allegory' proposed in the Xinyuefu movement during the mid-Tang dynasty can be found in Yuefu of Lihe, but its proportion is relatively small. His Yuefu, an anxiety about the longing and loss of youth that was often seen in ancient folk songs, was the subject of creation, but also created time and space full of lyricism as delicate observation and language.