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무형문화유산 경관으로서의 지역사회: 전통 직물 및 그 직물과 대중의 관계를 보여주는 일본의 사례 – 기조카 바쇼후

‘Community’ as a Landscape of Intangible Cultural Heritage: Basho-fu in Kijoka, a Japanese Example of a Traditional Woven Textile and its Relationship with the Public

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초록

이 논문은 무형문화유산을 보존하는 데 있어 ‘자아’와 ‘타인’을 연계시키는 장소로서의 ‘지역사회(community)’라는 개념을 고찰한다. 전통적인 공예산업을 진흥할 목적으로 일본 정부가 입안한 정책을 살펴봄으로써 필자는 하나의 문화 형태와 그 종사자들이 어떤 식으로 특정 장소에 소속되는지 그리고 ‘전통 공예품’에 대한 정부의 지원이 그 상품에대한 외부의 평가와 소비를 어떻게 유발하는지에 대해 살펴보고자 한다. 오키나와에서 생산되는 ‘기조카 바쇼후’라는 전통 직물에 대한 사례연구는 ‘지역사회’가 종사자들로 하여금 작업의 시공간 배치를 구현하도록 해주는 동시에 이러한 작업이 ‘전통’이라는 대중적 인식의 틀을 제공한다는 점을 시사한다. 지역사회 내부의 문화유산은 구성원으로 하여금 외부의 가치와 사회적 변화를 경험함으로써 자신의 자아를인식할 수 있는 장을 마련해준다.

Abstract

This article explores the concept of ‘community’ as a place which engages with ‘self’ and ‘other’ in safeguarding Intangible Cultural Heritage. By observing a scheme piloted by the Japanese government to promote traditional craft industries, I will show how a cultural form and its practitioners are attached to a particular place, and how the government’s support of ‘traditional craft products’ invites outside evaluation and consumption of those products. The case study of a traditional woven textile, Kijoka-no-Basho-fu produced in Okinawa Prefecture, suggests that ‘community’ allows practitioners to embody the time-space configuration of their work and also frames the public perception of this work as ‘tradition’. Cultural heritage within a community creates a site where one may recognise one’s self through one’s experience of outside values and social change.

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