振保的双重欲望——以张爱玲小说《红玫瑰与白玫瑰》为例
Zhenbao's Double Desire ― Focus on the Red Rose and the White Rose
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《红玫瑰与白玫瑰》是张爱玲的中篇小说,以细腻的笔触展现了女性在男权社会难以摆脱的悲剧生活,同时表现出了男性的双重性。张爱玲在这部小说中很好地读懂了男性心理，同时也讽刺了男主角振保的‘正确的世界’。《红玫瑰与白玫瑰》以振保为中心,出现了妓女、自由女学生、自由奔放的有夫之妇和贤淑的妻子等四名不同的女性。振保将这些女性分为‘红玫瑰’和‘白玫瑰’两分法。最终,以这种二分法划分的东西成为振保自己的自食其果,自己的伪善认同感也随之崩溃。这些女性以‘红玫瑰’和‘白玫瑰’构成，在心理上打击振保。《红玫瑰与白玫瑰》有着理想的现代中国男性主人公振保的伪善双重性。振保表面上希望别人看到他努力、诚实生活的非常理想的样子，但他看不见的内心却表现出忠实于自己的本能和欲望的样子。因为这种双重面貌是人类的本质,在现代社会生活时,意识到了人类所展现的面孔和他人的眼睛。这既是对人类本质的歪曲,也是人类通过控制和压迫,让人类自己伪善地战略。因此，人类应该关注自己的真实面貌，抵抗伪善和虚伪，寻找自己的真心。本文将在社会制度和规范下的现实中,观察男主人公振保表现出的双重欲望。
Abstract
Red Rose, White Rose is a novella by Zhang Ailing that delicately portrays the hidden psychology and complexes of people, highlights the tragic lives of women struggling to escape the patriarchal society, and reveals the duality of men at the same time. Zhang Ailing captures the male psyche in this novel quite well and satirizes the ‘right world’ of the male protagonist, Zhenbao. The story of Red Rose, White Rose revolves around Zhenbao and four different women: a prostitute, a free-spirited student, a carefree married woman, and a virtuous wife. Zhenbao categorizes them dichotomously as ‘red roses’ and ‘white roses.’ In the end, this dichotomy backfires on Zhenbao, leading to the collapse of his hypocritical identity. The women, positioned as ‘red roses’ and ‘white roses,’ strike the psychology of Zhenbao. Red Rose, White Rose exposes the hypocritical duality of Zhenbao, an idealized contemporary Chinese man. On the surface, Zhenbao wants to be perceived by others as a diligent and exemplary figure, but in his invisible inner mind lies a man driven by his instincts and desires. This duality reflects the inherent nature of humans living in contemporary society, who are conscious of their exposed faces and the eyes of others. Such a dual nature distorts human essence, as individuals become hypocritical through self-imposed control and repression. Therefore, people must focus on their true selves and resist hypocrisy and pretense to find the genuine mind. This paper aims to explore the dual desires expressed by the male protagonist, Zhenbao, in the reality shaped by social systems and norms.