저항에서 생명으로, 자연을 통한 화해와 치유- 정연희 소설의 생태의식

Abstract

This study explores the ecological consciousness in Jeong Yeon - Hee 's novels published after 90 years. These works of nature are rarely mentioned, as they are regarded as exceptional works, different from the previous work of writers dealing with romantic love and Christian doctrine. However, it has an in-depth meaning in that it explores the theme of freedom and desire that the artist has pursued constantly. In these works nature acts as a crucial moment to change and mature the self. The former closed self, which resisted against the world, reached reconciliation with the world through freedom of communication with nature and freedom. The self as a modern subject confined to capitalistic purpose reflects on itself and escapes the oppressive situation communicating with others who embody nature or nature Through this, the human centered subject changes into a fluid self. Nature is presented not as a passive victim separated from the self, but as a living presence that negotiates and empathes together and leads to a new awareness of self. The self becomes a new creature that changes and produces in the relationship with the other instead of the supremacy of the modern subject. This shows the narrative of the growth of the ecologicalist ego, which is different from the modernist enlightenment narrative. These works are not a cultivation as a process of socialization that adapts to the modern culture and institutions of capitalism, but rather the growth of self-transformation that overthrows and overcomes it. The self is escaped from the oppression confined in ideology and institutions, recognizing his desire as reality, freed from taboos, and reconciles with the world through him. Conflict and tears are emotional characteristics that are proved by the fact that he is released from the violence as the enlightened subject. The self is in contact with nature in the attitude of the investigator, approaches the purposeless aesthetic perception, and transcends the aptitude of pursuing profit. The self, which has been blindly rushed toward success, escapes the oppression of purpose, reaches true freedom, and reaches self-awareness as life. The desire that is suppressed by the ethics of taboo here is acknowledged and liberated as the reality of the mind that constitutes man, and all living things including man are recognized equally. It is to secure the organic ecological consciousness through the inclusive view from the cosmic point of view. Therefore, judging Jeong Yeon Hee Novel in the 90s of natural materials as an exceptional novel based on rural landscapes should be reconsidered. The desire and freedom that the artist constantly pursued can be said to be mature in these works.