대학 캠퍼스 영화의 장소성 변모와 대학생 주체의 현실 대응

Abstract

The goal is to review the identity of the people who are formed through the study on the sense of placeness in the University Campus Movie, and compare them with their responses to reality. So we're going to refer to the space theory of Yi-fu Tuan and Edward Relph. In addition, a university student Subject who was a member of the university campus chose the most popular movie, the origin of Young film was ≪The March of Fools≫ (Ha Gil-jong, 1975), and the most recent work was ≪The King of Jokgu≫ (Woo Moon-Gi 2014). In the ≪The March of Fools≫, the university in the 1970s is a place to differentiate and defend itself against the outside repression of military politics, industrialization and older generations. In a society that prohibits resistance, the university is a place where the possibility of impossibility of resistance is infused. This possibility is in the context of “Our Future” where the characters talk and the place where this dream is to be is the university. In the film, the characters are competing against the world in a melancholic manner. One choose death which dream eternal is, another enlist in the army. The army is a space reserved for the future in a rite of passage. On the other hand in the ≪The King of Jokgu≫, the university in the 21st century isn’t a place to differentiate and defend. The university is transformed into a typical place in established societies. In neo-liberalism, universities are inherent to the principle of exclusion about class, tastes, and gender, etc. The characters are now pitted against spontaneous and chronic quest for reality and the exclusion of Others inside university students instead of the social system or older generation. In the movie, Jokgu propagated the condition of having no purpose about 'Fun' and 'What do you want to do' and it was made of deterritorialization alienated the placelessness. Jokgu goes out of school regulations and makes most of the university campus is converted into vacant lots. It calls on those excluded and gives meaning that I'm doing what I want to do with the Others, now - in here. In the end, Man-Seop`s decision to "I'd prefer not to!"(like Bartleby the Scrivener) about prepare for civil servants exam then there is transversal potential to change love and Jokgu. It can be seen that the university students' responses to reality is not change to signified in the neo-liberalism and that it to be changed with inoperative force that imposes cracks on strong system.