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신자유주의, 신경과학, 소설: 이언 매큐언의 『토요일』을 중심으로

Neoliberalism, Neuroscience, Novel in Ian McEwan’s Saturday

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This paper examines how Ian McEwan thematizes the complicated relation between neoliberalism, neuroscience, and novel in his 2005 fiction Saturday so at to challenge the existing discourse of subjectivity and reality presupposed by Western modern humanism. By focusing on the particular ways in which McEwan represents the protagonist’s (un)consciousness of neoliberalism and neuroscience—their ideological features and predominant influences on his life, this paper delves into the author’s acute attention to the centrality of neoliberalism and neuroscience to the protagonist’s way of thinking and action, which suggests a new—neoliberalist and neuroscientific—mode of subjectivization devoid of subjectivity. For McEwan, his novel serves as a proper narrative concerning how the interlocking political and scientific ideologies are formative of a new mode of post-humanity.

Abstract

This paper examines how Ian McEwan thematizes the complicated relation between neoliberalism, neuroscience, and novel in his 2005 fiction Saturday so at to challenge the existing discourse of subjectivity and reality presupposed by Western modern humanism. By focusing on the particular ways in which McEwan represents the protagonist’s (un)consciousness of neoliberalism and neuroscience—their ideological features and predominant influences on his life, this paper delves into the author’s acute attention to the centrality of neoliberalism and neuroscience to the protagonist’s way of thinking and action, which suggests a new—neoliberalist and neuroscientific—mode of subjectivization devoid of subjectivity. For McEwan, his novel serves as a proper narrative concerning how the interlocking political and scientific ideologies are formative of a new mode of post-humanity.

참고문헌 (20)

  1. 김정순, "이언 매큐언의 『토요일』: 폭력 삐딱하게 바라보기", 현대영어영문학, 57(2), pp.49~75 (2013), 한국현대영어영문학회
  2. 손영주, "소설의 윤리와 비평의 윤리: 이언 맥큐언의 『토요일』을 중심으로", 제임스조이스저널, 15(1), pp.211~247 (2009), 한국제임스조이스학회
  3. Brenner, Neil, "Spaces of Neoliberalism: Urban Restructuring in North America and Western Europe", pp.i~xii (2002), Blackwell
  4. Foucault, Michel, "The Birth of Biopolitics" (2008), Palgrave Macmillan
  5. Ferguson, Frances, "The Way We Love Now: Ian McEwan, Saturday, and Personal Affection in the Information Age", Representations, 10(1), pp.42~52 (2007)
  6. Gauthier, Tim, "Selective in Your Mercies“: Privilege, Vulnerability, and the Limits of Empathy in Ian McEwan’s Saturday.”", College Literature, 40(2), pp.7~30 (2013)
  7. Green, Susan, "Consciousness and Ian McEwan’s Saturday: “What Henry Knows.”", English Studies, 91(1), pp.58~73 (2010)
  8. Hardley, Elaine, "On a Darkling Plain: Victorian Liberalism and the Fantasy of Agency", Victorian Studies, 48(1), pp.92~102 (2005)
  9. Harvey, David, "Neo-liberalism and the City", Studies in Social Justice, 1(1), pp.2~13 (2007)
  10. Harvey, David, "Neo-liberalism as Creative Destruction", The Annals of the American Academy of Political and Social Science, 610(1), pp.21~44 (2007)
  11. Hillard, Molly Clark, "’When Desert Armies Stand Ready to Fight’:Re-Reading McEwan’s Saturday and Arnold’s ‘Dover Beach", Partial Answer, 6(1), pp.181~206 (2008)
  12. Knapp, Peggy A, "Ian McEwan’s Saturday and the Aesthetics of Prose", NOVEL: A Forum on Fiction, 41(1), pp.121~143 (2007)
  13. McEwan, Ian, "Saturday" (2005), Anchor Books
  14. Rennison, Nick, "Contemporary British Novelists" (2005), Routledge
  15. Rorty, Richard, "A Queasy Agnosticism", Dissent, 52(4), pp.91~94 (2005)
  16. Ross, Michael L, "On a Darkling Planet: Ian McEwan’s Saturday and the Condition of England", Twentieth-Century Literature, 54(1), pp.75~96 (2008)
  17. Salisbury, Laura, "Narration and Neurology: Ian McEwan’s Mother Tongue", Textual Practice, 24(5), pp.883~912 (2010)
  18. Siegel, Lee, "The Imagination of Disaster", The Nation, 280(14), pp.33~38 (2005)
  19. Thrailkill, Jane, "Ian McEwan’s Neurological Novel", Poetics Today, 32(1), pp.171~201 (2011)
  20. Wallace, Elizabeth Kowaleski, "Postcolonial Melancholia in Ian McEwan’s Saturday", Studies in the Novel, 39(4), pp.465~480 (2007)

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