판소리에서의 리듬적 동조 현상 연구: Clayton의 시계식 분석법의 적용
Rhythmic Entrainment in Pansori: an Application of M. Clayton’s Chronometric Analytic Method
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초록
The term ‘entrainment’ refers to the process by which independent rhythmical systems interact with each other and assume the same or related periods. Clayton et al.(2005) discussed further applications of this idea in ethnomusicology and explored unintentional entrainment in a performance of Indian classical music(2007). Clayton developed the chronometric analysis method to identify and analyse musical entrainment processes, based on changing audio timing data. This study attempts to apply his method to Korean traditional music and to examine it’s possibilities and limitations. The example for this case study was taken from audio recording of an excerpt of Pansori <Simchungga>. The performance includes two players with a singer and a Puk player. The results indicate (a) the occurrence of entrainment of two players, (b) the dynamic process of becoming entrainment, (c) the implication for the Korean traditional music analysis.
Abstract
The term ‘entrainment’ refers to the process by which independent rhythmical systems interact with each other and assume the same or related periods. Clayton et al.(2005) discussed further applications of this idea in ethnomusicology and explored unintentional entrainment in a performance of Indian classical music(2007). Clayton developed the chronometric analysis method to identify and analyse musical entrainment processes, based on changing audio timing data. This study attempts to apply his method to Korean traditional music and to examine it’s possibilities and limitations. The example for this case study was taken from audio recording of an excerpt of Pansori <Simchungga>. The performance includes two players with a singer and a Puk player. The results indicate (a) the occurrence of entrainment of two players, (b) the dynamic process of becoming entrainment, (c) the implication for the Korean traditional music analysis.
참고문헌 (9)
- Clayton, M., "Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking", Musicae Scientiae, 11(1), pp.27~60 (2007)
- Clayton, M., "What is Entrainment?: Definition and applications in musical research", Empirical Musicology Review, 7(1), pp.49~56 (2012)
- "In time with the music: the concept of entrainment and its significance for ethnomusicology" (2005)[URL]
- Large, Edward W., "Psychology of Time", pp.189~231 (2008), Emerald Group Publishing
- Large, Edward. W., "The dynamics of attending: How people track time-varying events", Psychological Review, 106(1), pp.1119~1159 (1994)
- London, Justin, "Hearing in time: psychological aspects of musical meter" (2004), Oxford University
- "Entrainment and socio-musical interactions in Afro-Brazilian Congado rituals, paper from Entrainment Weekend III" (2004)[URL]
- Lucas, Glaura, "Inter-group entrianment in Afro-Brazilian Congado ritual", Empirical Musicology Review, 6(2), pp.75~102 (2011)
- Storgatz, Steven, "동시성의 과학, 싱크" (2004), 김영사