Rethinking Rhythms: Cognitive Ethnomusicological Consideration for Vocal versus Instrumental Rhythms and Discussion about the Role of Periodicity in Rhythm
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
As there is no one accepted definition of rhythm, rhythm is a problematic concept. On the basis of previous studies in psychology and cognitive ethnomusicology, this paper proposes that rhythm should be considered as temporal relationships of successive events that are perceived and produced by the body. With the embodied cognition theory, this paper is not only to examine indications for an existence of two rhythms, that is, vocal and non-vocal/instrumental rhythms, in the pre-historic time and in ancient cultures but also to provide findings of what is currently known about the functional neuroanatomy of vocally and manually produced rhythms. This paper also demonstrates how periodicity allows a confluence of the vocal and instrumental rhythms in terms of entrainment with a case study. This study provides music scholars an opportunity to rethink rhythm in their discussion about temporal parameters of music.
Abstract
As there is no one accepted definition of rhythm, rhythm is a problematic concept. On the basis of previous studies in psychology and cognitive ethnomusicology, this paper proposes that rhythm should be considered as temporal relationships of successive events that are perceived and produced by the body. With the embodied cognition theory, this paper is not only to examine indications for an existence of two rhythms, that is, vocal and non-vocal/instrumental rhythms, in the pre-historic time and in ancient cultures but also to provide findings of what is currently known about the functional neuroanatomy of vocally and manually produced rhythms. This paper also demonstrates how periodicity allows a confluence of the vocal and instrumental rhythms in terms of entrainment with a case study. This study provides music scholars an opportunity to rethink rhythm in their discussion about temporal parameters of music.
참고문헌 (42)
- Bangert, Marc, "Shared Networks for Auditory and Motor Processing in Professional Pianists: Evidence from fMRI Conjunction", NeuroImage, 30, pp.917~926 (2006)[DOI]
- Baumann, Simon, "A Network for Audio–Motor Coordination in Skilled Pianists and Non-Musicians", Brain Research, 1161, pp.65~78 (2007)[DOI]
- Belin, Pascal, "Voice-Selective Areas in Human Auditory Cortex", Nature, 403(6767), pp.309~312 (2000)[DOI]
- Belin, Pascal, "Human Temporal-Lobe Response to Vocal Sounds", Cognitive Brain Research, 13(1), pp.17~26 (2002)[DOI]
- Belyk, Michel, "The Origins of the Vocal Brain in Humans", Neuroscience & Biobehavioral Reviews, 77, pp.177~193 (2017)[DOI]
- Binder, J. R., "Human Temporal Lobe Activation by Speech and Nonspeech Sounds", Cerebral Cortex, 10(5), pp.512~528 (2000)[DOI]
- Boersma, Paul, "Praat: Doing Phonetics by Computer", Glot International Vol. 5, 5(9, pp.10) (2001), 341~345
- Cheong, Yong Jeon, "Sound of Action: Musical Onomatopoeia as Embodied Signs", Book of Abstracts: the 44th International Council of Traditional Music World Conference (2017), University of Limerick
- Clayton, Martin, "In time with the music: The concept of entrainment and its significance for ethnomusicology", ESEM CounterPoint, 1, pp.1~82 (2004)
- Conard, Nicholas J., "New Flutes Document the Earliest Musical Tradition in Southwestern Germany", Nature, 460(7256), pp.737~740 (2009)[DOI]
- Cross, Ian, "Experimental Archaeology 1035(British Archaeological Reports International Series)", pp.25~34 (2002), Experimental Archaeology
- Ding, Nai, "Temporal Modulations Reveal Distinct Rhythmic Properties of Speech and Music", Neuroscience and Biobehavioral Reviews, 81, pp.181~187 (2016)[DOI]
- Fraisse, Paul, "The Psychology of Music", pp.149~180 (1982), Academic Press
- Furukawa, Yuta, "Expertise-Dependent Motor Somatotopy of Music Perception", Neuroscience Letters, 650, pp.97~102 (2017)[DOI]
- Furuya, Shinichi, "Probing Sensorimotor Integration during Musical Performance", Annals of the New York Academy of Sciences, 1423(1), pp.211~218 (2018)[DOI]
- Gunji, Atsuko, "Magnetoencephalographic Study of the Cortical Activity Elicited by Human Voice", Neuroscience Letters, 348(1), pp.13~16 (2003)[DOI]
- Frassie, Paul, "The Psychology of Music, edited by Diana Deutsch", pp.149~180 (1982), Academic Press
- Halwani, Gus F., "Effects of Practice and Experience on the Arcuate Fasciculus: Comparing Singers, Instrumentalists, and Non-Musicians", Frontiers in Psychology, 2 (2011)[DOI]
- Hagel, Stefan, "Ancient Greek music: A New Technical History", pp.1~51 (2009), Cambridge University Press
- Hung, Tsun-Hui, "One music? Two musics? How many musics? Cognitive ethnomusicological, behavioral, and fMRI study on vocal and instrumental rhythm processing", Ph.D, pp.2011
- Kung, Hsiang-Ning, "Cultural Influence on the Perception and Cognition of Musical Pulse and Meter", Ph.D, pp.2017
- Lee, Yune Sang, "Multivariate Sensitivity to Voice during Auditory Categorization", Journal of Neurophysiology, 114(3), pp.1819~1826 (2015)[DOI]
- Levy, Daniel A., "Processing Specificity for Human Voice Stimuli: Electrophysiological Evidence", Neuroreport, 12(12), pp.2653~2657 (2001)[DOI]
- Levy, Daniel A., "Neural Sensitivity to Human Voices: ERP Evidence of Task and Attentional Influences", Psychophysiology, 40(2), pp.291~305 (2003)[DOI]
- MacDougall, Hamish G., "Marching to the Beat of the Same Drummer : The Tempo of Human Locomotion", Journal of Applied Physiology, 99(3), pp.1164~1173 (2005)
- Montagu, Jeremy, "How Music and Instruments Began: A Brief Overview of the Origin and Entire Development of Music, from Its Earliest Stages", Frontiers in Sociology, 2 (2017)[DOI]
- Moore, Roger K., "Finding Rhythm in Speech: A Response to Cummins", Empirical Musicology Review, 7(1-2), pp.36~44 (2012)[DOI]
- Morley, Iain, "The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality" (2013), Oxford University Press
- Muni, Bharata, "The Nâṭyaśāstra: a Treatise on Ancient Indian Dramaturgy and Histrionics Ascribed to Bharata Muni. Vol. 2", pp.1~28 (1961), Manisha
- van Noorden, Leon, "Resonance in the Perception of Musical Pulse", Journal of New Music Research, 28(1), pp.43~66 (1999)
- Pa, Judy, "A Parietal–Temporal Sensory–Motor Integration Area for the Human Vocal Tract: Evidence from an FMRI Study of Skilled Musicians", Neuropsychologia, 46(1), pp.362~368 (2008)[DOI]
- Poss, Nicholas, "Hmong Music and Language Cognition: An Interdisciplinary Investigation", Ph.D., pp.2012
- Sachs, Curt, "Rhythm And Tempo: An Introduction", The Musical Quarterly, 38(3), pp.384~398 (1952)[DOI]
- Schlaug, Gottfried, "Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies", pp.37~55 (2015), Elsevier
- Sebeok, Thomas A., "Speech Surrogates: Drum and Whistle Systems" (1976), Mouton
- van der Steen, M. C. (Marieke), "Expert Pianists Do Not Listen: The Expertise-Dependent Influence of Temporal Perturbation on the Production of Sequential Movements", Neuroscience, 269, pp.290~298 (2014)[DOI]
- Stern, Theodore, "Drum and Whistle ‘Languages’: An Analysis of Speech Surrogates", American Anthropologist, 59(3), pp.487~506 (1957)[DOI]
- Varela, Francisco J., "The Embodied Mind: Cognitive Science and Human Experience" (1991), MIT Press
- Will, Udo, "The Philosophy of Rhythm: Aesthetics", pp.216~230 (2019), Oxford University Press
- Will, Udo, "Pulse and Entrainment to Non-Isochronous Auditory Stimuli: The Case of North Indian Alap", Plos One, 10(4) (2015)[DOI]
- "jajangga" (2012)[URL]