대중음악 금지곡 중 왜색과 표절의 관계 고찰: 비공개 심의원본자료를 중심으로

Abstract

Since 1965, numerous forbidden songs have been designated. Plagiarism was the most common reason for prohibition. Many of the plagiarism songs were related to Japanese songs. Plagiarism is divided into melody and lyrics. However, this distinction was not made in the past disclosure data. So we did not know how the review of the plagiarism proceeded. The greatest number of forbidden songs were related with japanese style, but most of them were subsequently released. In the previous research, it was not known exactly what part of a song was plagiarized, and what the criteria of the ‘japane tyle’ was. In order to solve the problem, we examined the standard of judgment of plagiarism and japanes style through the investigation of original data. In the review original, the method of comparing the melody and the lyrics of the plagiarism and the original was taken. In the case of certain plagiarism song, it was designated without comparing the score. The Miyako-bushi scales became an important criterion for judging japanese style. In the case of the japanese style singing method(왜색), judges actually heard the music and judged it. All of the forbidden songs specified by subjective judgment were released. However, the adaptations or remade songs of Japanese songs were not. The banned japanese songs were a reflection of social demands at the time, and the designation of plagiarism protected the creators's copyrights in the period