21세기 우리 음악현장을 보는 작업의 난제에 직면하다
Confronting the Challenges of Focussing Our Music Scene in the 21st Century
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As we entered the 21st century global society and recognized art as the keywords of integration and insight, we dreamed of a new world. However, after 20 years, we are standing in the middle of a world we have never experienced before. Now, not only are we facing an environment in which the expression methods and methods of expression that artists have built have changed completely, but the strong foundations of artists' activities and philosophies have been shaken, weakening their deep-rooted expertise and identity. Artists in the 21st century, who must work in such an unfamiliar environment, are now armed with a new identity and stand at a desperate point to actively respond to the changing scene of the performance. We need time to share our experiences of research and exploration with a sense of the problem of the field that is taking place here and now. So far, musicologists have only been interested in 'traditionally' meaningful music. In other words, they only paid attention to music or topics that had empirical data and that they were 'academic' worth of research. Now, it is difficult for us to easily challenge the task of finding an answer by seeking an academic challenge to find the problem consciousness generated while paying attention to the changed, constant, and unfamiliar field of the 21st century. Why?, We in the past did not focus on the music scene, were past-oriented in their selection and handling, were accustomed to disciplined studies, hesitated to cross boundaries, and applied a specific existing theory to understand the meaning and meaning of the theory. This is because, in terms of theories and methodologies, it is not enough to deal with the field of change of the times in terms of theories and methodologies, as no sharp numbers can come to mind other than the types of research that prove value or the method of developing a discussion by matching data by applying existing methodologies. Now, it is necessary to discuss the immediate tasks such as critique of customs to be abolished and the formation of a new platform for an integrated approach beyond the overcoming of interdisciplinary divisions, from a national approach to an international communication approach. to form a suitable support, it is necessary to examine the method of implicit communication and expression among the former experts in the field, and to discuss the development of efforts and methods for communication with other departments.
Abstract
As we entered the 21st century global society and recognized art as the keywords of integration and insight, we dreamed of a new world. However, after 20 years, we are standing in the middle of a world we have never experienced before. Now, not only are we facing an environment in which the expression methods and methods of expression that artists have built have changed completely, but the strong foundations of artists' activities and philosophies have been shaken, weakening their deep-rooted expertise and identity. Artists in the 21st century, who must work in such an unfamiliar environment, are now armed with a new identity and stand at a desperate point to actively respond to the changing scene of the performance. We need time to share our experiences of research and exploration with a sense of the problem of the field that is taking place here and now. So far, musicologists have only been interested in 'traditionally' meaningful music. In other words, they only paid attention to music or topics that had empirical data and that they were 'academic' worth of research. Now, it is difficult for us to easily challenge the task of finding an answer by seeking an academic challenge to find the problem consciousness generated while paying attention to the changed, constant, and unfamiliar field of the 21st century. Why?, We in the past did not focus on the music scene, were past-oriented in their selection and handling, were accustomed to disciplined studies, hesitated to cross boundaries, and applied a specific existing theory to understand the meaning and meaning of the theory. This is because, in terms of theories and methodologies, it is not enough to deal with the field of change of the times in terms of theories and methodologies, as no sharp numbers can come to mind other than the types of research that prove value or the method of developing a discussion by matching data by applying existing methodologies. Now, it is necessary to discuss the immediate tasks such as critique of customs to be abolished and the formation of a new platform for an integrated approach beyond the overcoming of interdisciplinary divisions, from a national approach to an international communication approach. to form a suitable support, it is necessary to examine the method of implicit communication and expression among the former experts in the field, and to discuss the development of efforts and methods for communication with other departments.
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