영천 명주농악 판굿 분석 - 장단과 삽입 민요를 중심으로 -

Abstract

This study is an article that examines the regionality and identity of Myeongju Nongak, which is being passed down in Myeongju-ri, Buk-an-myeon, Yeongcheon-si, Gyeongsangbuk-do, by analyzing the Pangut and the rhythm and melody that follow, dividing it into instrumental and vocal parts. According to data from 1995, Yeongcheon Myeongju Nongak had a strong connection with farming songs, as it included rice paddy field games, seonchang, refrain, and barley threshing in the course of farming music. Currently, the Myeongju Nongak version features moui-nongsa-nori (simulated farming play), which clearly shows the characteristics of Nojak Nongak, and the tradition of village rituals is being continued by inserting the Jisinbapgi, which is performed every year, into the version. Myeongju Nongak is largely composed of Pangut and Jisinbapgi. The procedures of Pangut consist of Seonanggut, Gilgutak, Eorugi, Jilmaeggu, Talsoe, Insagut, Jajinddeobaegi, Letter Saeggi, Jjeongjjeongi Garak, Milgoddaenggi, Yeolgyeol Garak, Mock Farming Puri, Sachigidangdang, Chummaegu, Bujeonggut and Hohotaktak, Norimadang, Sambangjin, and Chingchingi Sori. And the yard stepping, Jisinbapgi, is performed to the rhythm of the Jajinmori type and the following songs are performed in the order of Solssidagi, Namuchagi, Namubeopgi, Teodajigi, Seongjupuli, Jowanggaksi, Jangdokdaejang, and Madangjisin. Myeongju Nongak uses regional names for its rhythms, melodies, and movements. These include dotbaegi, jilmaegoo, talsoe, kongbokja-garak, sachidangdang, jjeong jjeongi-garak, hoho-ttak-ttak, sambangjin, suchagut, obangmali, jowanggaksi, jangdokdaejang, madangjisin, and letter engraving. The rhythms can be largely divided into the Hwimori type, Jajinmori type, Gutgeori type, and Honsobak type. Among these, the melodies of ‘Jilmaegu(Jilgut)’, ‘Bujeonggut’, and ‘Hohotaktak’ adhere to the old system of Honsobak type rather than the three-beat type, allowing us to glimpse the regional characteristics and identity of Myeongju Nongak.