김우진 희곡에 나타난 야생의 퍼포먼스와 거주의 상상력
Performing The Wildness and The Imagination of Dwelling in Kim Woo Jin's Play
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This article's aim is to study the world of Kim Woo Jin's plays from the point of ecological view, by examining how to perform the wildness in Kim Woo Jin's plays, considering how to touch ecological questions, i.e. "Where are we?" off through the influence of such as a performance. In other words, through the performing wildness, this paper investigates the process which non-human nature is figured, and based such a study, this paper is to examine the way that the imagination of man's dwelling in natural environment is represented according to multiple relationships between humane zone as here and wild zone as there. As a result, using ecological wildness and dwelling as critical concepts, this article aims to identify cultural - political aspects of Kim Woo Jin's play, to discuss its ethical significance. This article has an important meaning in that it extends the earlier studies' ranges concentrating biographical criticism about Kim Woo Jin's individual career or his family history, and comparative literary criticism about Kim Woo Jin's accept of The Expressionism. By extension, this article has an another significant meaning in greening of Korean drama's canons. Consequentially, this paper has implications for studying a literary, theatrical works within the framework shifting from the authoritative position of human-centered world view to relational position of more bigger biological community's world view.
Abstract
This article's aim is to study the world of Kim Woo Jin's plays from the point of ecological view, by examining how to perform the wildness in Kim Woo Jin's plays, considering how to touch ecological questions, i.e. "Where are we?" off through the influence of such as a performance. In other words, through the performing wildness, this paper investigates the process which non-human nature is figured, and based such a study, this paper is to examine the way that the imagination of man's dwelling in natural environment is represented according to multiple relationships between humane zone as here and wild zone as there. As a result, using ecological wildness and dwelling as critical concepts, this article aims to identify cultural - political aspects of Kim Woo Jin's play, to discuss its ethical significance. This article has an important meaning in that it extends the earlier studies' ranges concentrating biographical criticism about Kim Woo Jin's individual career or his family history, and comparative literary criticism about Kim Woo Jin's accept of The Expressionism. By extension, this article has an another significant meaning in greening of Korean drama's canons. Consequentially, this paper has implications for studying a literary, theatrical works within the framework shifting from the authoritative position of human-centered world view to relational position of more bigger biological community's world view.
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