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김수영 시에 나타난 시선의 정치학

The Politics at a glance appeared in Kim, Soo Young's poems

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참고문헌

키워드

주제분류한국어와문학

초록

This thesis intends to make the modernity of Kim, Soo Young's poems context again under the in the context of glance's political characteristic. In Kim, Soo Young's poems, poetic subjects recognize the world through the behavior of 'seeing' and establish themselves as an existence reflecting suppression and false in themselves. The glance for objects in Kim, Soo Young's poems came back as a shame of their inner side. Furthermore, by setting glance's object as another subject, they destroy the authority of the first person's glance. In here, the hierarchial order between glance's subject and glance's object becomes meaningless. In her poems, materials become glance's objects and other behavior's subjects at the same time. In here, the aesthetic modernity of Kim, Soo Young's poems makes other place around the sensitive politics. They establish poetic subjects by forming glance's subjects which have modern meaning and destroy glance's authorities by destroying the glance's subjects by themselves. It's important that modernity and avant-garde of Kim, Soo Young's poems are related to the politics of this sense and it can be a political context that the aesthetic level of Kim, Soo Young's poems has.

Abstract

This thesis intends to make the modernity of Kim, Soo Young's poems context again under the in the context of glance's political characteristic. In Kim, Soo Young's poems, poetic subjects recognize the world through the behavior of 'seeing' and establish themselves as an existence reflecting suppression and false in themselves. The glance for objects in Kim, Soo Young's poems came back as a shame of their inner side. Furthermore, by setting glance's object as another subject, they destroy the authority of the first person's glance. In here, the hierarchial order between glance's subject and glance's object becomes meaningless. In her poems, materials become glance's objects and other behavior's subjects at the same time. In here, the aesthetic modernity of Kim, Soo Young's poems makes other place around the sensitive politics. They establish poetic subjects by forming glance's subjects which have modern meaning and destroy glance's authorities by destroying the glance's subjects by themselves. It's important that modernity and avant-garde of Kim, Soo Young's poems are related to the politics of this sense and it can be a political context that the aesthetic level of Kim, Soo Young's poems has.

참고문헌 (14)

  1. "김수영 전집" (1981), 민음사
  2. "김수영의 문학" (1883), 민음사
  3. 김명인, "살아있는 김수영" (2005), 창비
  4. 남진우, "미적 근대성과 순간의 시학" (2001), 소명출판
  5. 이광호, "도시인의 탄생-한국문학과 도시의 모더니티" (2010), 서강대학교출판부
  6. 이진경, "근대적 시공간의 탄생" (1997), 푸른숲
  7. 김종훈, "다시 읽는 김수영 시" (2005), 작가
  8. 주은우, "시각과 현대성" (2003), 한나래
  9. 백문임, "모더니티와 시각의 헤게모니" (2004), 시각과 언어
  10. 정인모, "공간, 장소, 경계, 에코" (2010), 에코리브르
  11. 미셀 푸코, "임상의학의 탄생" (2006), 이매진
  12. 미셀 푸코, "감시와 처벌" (2003), 나남 출판
  13. 유재홍, "문학의 정치" (2009), 인간사랑
  14. 자크 데리다, "시선의 권리" (2004), 아트북스

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