시나리오 「역마」에 나타난 ‘길’의 형상 연구

Abstract

This dissertation has been written with a purpose to examine and to understand the screen images on Korean Scenario in 1960's. This paper analyses one Yeokma, as this work reflects the screen aesthetics on style of scenarios of Korean cine-novels in 1960's. The literature's influence on the scenarios of cine-novels was strong in the 1960s. The language in the literature was important, but rules and methods of composition in the film were weak. Only the grammar of cine-novels was not established. The success on the scenarios of cine-novels in the 1960s shows the compromise between the language of literature and the image of film. The failure on the scenarios of cine-novels in the 1960s shows the discord between the language of literature and the image of film. Later on, it has been the problem of cine-novels to escape from the literature and to develop the creative aesthetics in the films. But Yeokma as scenarios of cine-novel is different. This scenario utilize the strategies of form in order to raise the effects of the screen aesthetics. This scenario of cine-novels dramatized by Choegeumdong & Kimgangyun in the 1960s is the transformation to retain and to strengthen the screen aesthetics. The screen aesthetics indicate the method to create the ways as visual image, as sound effects and as person’s gaze. This three ways show the karma and fate between a man and a woman as a couple af lovers on movie screen.