인물 화편화 방식을 통해 본 소설의 영상화 일고찰 －<오발탄>, <장마>를 중심으로－

Abstract

1960s was a time that the scale of all industries rapidly extended in History of Film. At this moment the production of literary films sharply increased as the demand of searching story from the cinema inside matches with political circumstances of outside. Yu Hyun-Mok, who has passed away in June 2000, was known as one of the representative directors of literary films and outstanding writer in formal style. In his case, its clear that he kept his own framing methods in the process of visualizing novels. And especially the framing methods that he succeeded to express character’s personality and describe conflict considers to be a classic to confirm medium conversion logic and means. So in this paper two literary films are used by analyzed subject, <An Aimless Bullet> and <Rainy Days>, which are recognized as controversial work in Yu Hyun-Mok's filmography. By these works I examined how character’s personality and their conflict described in detail in novel visualize in film. As a result, first the method showing distinction and conflict of character metaphorically is confirmed by contradistinctive division of space. This has brought out through factor of mise-en-scène, such as a camera angle and distance control, position of the light source and contradistinctive setting of character’s costume, and ‘eye-gaze’ direction, etc. And the shape repeatedly imprinting ‘character-space’ composition by situating character who causes conflict at otherworld has also confirmed. Secondly, the method of expressing their inner mentality actively and notify various possibility of interpretation has also checked out by placing characters figuratively through traffic line control. This is considered as distinguishing form that can reproduce literal medium’s advantage of submitting embodied even idealㆍabstract contents into visual medium’s own beauty of form. The visualization of novel examined in this paper can be partial and fragmentary case in conversion logic between mediums that can be attempted on both sides. I’m expecting continuous associated research hereafter and various methods of consilience between both mediums are embodied.