영화 『피에타』의 문학적 상징성 연구

Abstract

This writing is the movie of Kim Gideok's Pieta literary viewpoint of symbolical. Violence o f Girard and Ziz ek v iewpoint o f theory that it c lassifies ' as language of symbolical sign' 'as language of symbolical body' 'as symbolical of mythology animal'analyze. It is a cultural symbol structure that is symbol of iconic(N.Frye), symbol of prototype(Wheelwright). and symbol of motive(Guerin) etc while exploring applied to the present search about the violence aspect and mean. language of symbolical work as the criticism of reality or ironic. Exercise structure violence by using the symbol, At this time, ironically satire of reality. It is violence as ill iconic contradictions of capitalism violent. That is, the structural violence and symbolic violence appeared together, shows the violent reality violent. Animal as a mythological symbol and body language as iconic, was revealed to the common plane. It is a point to exercise repeatedly to mimic the violence through a mythological symbol, and have advocated the approach consciousness sacrificial. To exercise the extreme violence of the body of a certain intensity violence shows paradoxically to be resolved by violence in reverse as violence or created the violence as imitation psychology of violence. And, the movie ended by a victim of a person who has violence, but this is reflected in the proposed religious conflict religious. Trial violence, shows fact that an extension of it, being able only violence issue end violence in this way. In the course of such violence of the f ilm's that are visualized symbolic violence, structural violence, as physical violence. Thus, this work represents desire sex, fantasy sex, a first castle through the mythological imagination. At this time, it was analyzed as an important way of getting to solve the problem of violent reality beyond the symbolic system, symbol and has exercised a huge influence. Pieta is to reproduce the ideological violence of capitalism to try to protect the dominant position through violence. This is used for the status quo, the subject of violence is Pijibechun population within a given mainly. The 'subject' of 'capitalism' and on the desire theory of this Girard, it is to exercise the "violence" to "object of desire" a phenomenon in the 'medium' and 'ideology'. In order to resist refused to rule ideology, this movie is to demonstrate the religious violence. From this point of view, as a tool paradoxical to violence against reality system violent, violent religious gives a mythological imagination.