최인훈 단편소설에 나타난 주체의 세 영역 -최인훈과 라캉의 주체를 중심으로-

Abstract

This researcher focused on Choi In-hun’s short story which is being neglected. The researchers set the goal of studying the subjects shown in his short stories. Through the process of change of subjectivity, I examined the discourse, main characters and author's recognition of the world of Choi In-hun short story. In addition, I examined a writer's thinking about novel and art is revealed as a subjectivity in the relationship between a work, a reader, and a writer. First of all, I put 「Gray Club History」, 「Life of Raoul」, 「Su(囚)」 in the works corresponding to <subject of bondage>. The main content is the main subject caught by the desire of the imaginary system. Therefore, the first human type of Choi In-hun, DNA (Closed Stable), was inserted and analyzed. Of course, it is necessary to move away from the imaginary system in order to enter the symbolic world which is the world of language and symbol. The characters of 「Gray Club History」, 「Life of Raoul」, 「Su(囚)」 look inside the mirror and stay inside. They see society through ‘windows’ like mirrors. Judgments about the outside reality can not jump directly into reality through the window. Second, it is <the subject of conflict>. I put the 「House of Idols」, 「Laughter」 and 「Dalaria of the September」. The core contents are the subjects corresponding to Choi In-hun's DNA' (open instability) as a subject who is troubled to enter into the symbolic system. Though it is the subject who is active in the world of symbols, the longing to the imaginary world is still. In reality, She know that she can not go back to the imaginary world, so she assume the vain thing and return to the time of love as she imagined. Even if the love is vain, it is precious. It is another self, and it is someone who protects me. Therefore, the reality of the woman's laughter was her own. In other words, the vanity was the one she made. The third is <the subject of freedom>. 「The letter of the sea」 corresponds to the subject which deviates from the world of the symbol. It is the subject corresponding to DNA ∞ (open stability) among three types of human being. Choi In-hun breaks away from long silence after 『Topic』 and publishes a short novel 「Letters of the Sea」. The 60-volume 「Letter of the Sea」 is a short story with the same weight as 4000 pieces of novels, 『Topic』. The 「Letter of the sea」, which begins with the unfolding of the consciousness of the skeleton, the speaker, proceeds with the same structure as the principle of ‘the generation of involuntary memory’. 「Letter of the sea」 can be said to be the same epic as the one described in the memory of 『Topic』 converted into the consciousness of the skeleton. The speaker, skeleton, digs through deeper memories through involuntary memory and finds a true subject. The end is the subject of freedom, knowing me with no me.