유배 가사 「만분가」와 「만언사」의 대비적 고찰

Abstract

“Manbunga”, which is considered to be the first work of exile gasa, replaces the feelings of the speaker at the exile with the feeling of a woman who got separated from her lover. So its emotional expression or sensitive release can appear in an enhanced fashion. When attention is paid to this point, the attention is also paid to the expression of anger and sadness of the speaker exposed in the work. In the case of Myeonghan Jeong‐cheol, as mentioned above the former has been strengthened and the latter weakened. “Maneonsa” is a late exile gasa of Joseon, and according to the facts that the author was not the Literati but a middle class, it was in a wide circulation among the readers, and that it was inserted in a novel, it has been paid much attention to. The author, who was sent to Chujado in exile by committing sin in one morning right after exerting authority, showed his self‐compassion to the point of the past by exaggeratedly caricaturing his actions somewhat. Since exile gasa has the creation background as a punishment in exile, it is necessary to take into account both the political background and the author's pertinent background so that the inner consciousness can be correctly extracted. “Manbunga” is noticed because it reveals the characteristic that the exile gasa has a basic literary expression and a direct expression that cannot hide its unrighteousness at the same time. It is worth noting that the author's appearance is relatively direct and individualized throughout the work. “Maneonsa” increased the interest and liveliness of the work by differentiating expressions and style according to the situation of the 19th century. Especially, the characteristic that strongly expresses the gaze of self‐compassion is outstanding. It is because the writer has a very conservative ideology, and in reality, it is also evident from the fact that he only desires to return to his original identity. It is said that this conservative tendency is related to the situation in which the author could not help but be attached to his status as a middle class in the crisis situation of exile.