『만덕사지』 의 유통과 審美 - 용흥사본, 제영시를 중심으로 -

Abstract

MandeoksaJi』(萬德寺志) was published by the monks of Mandeoksa, who were influenced by Jeong Yak-yong(丁若鏞), and it has been evaluated as a model of temple magazine(寺誌) in the late Joseon Dynasty along with 『Daeheungsaji』(大興寺志). As a result, ‘Mandeoksaji’ was studied in detail in terms of history, thought, and bibliography of the late Joseon Dynasty. However, there was not enough discussion about the fact that ‘MandeoksaJi’ is a text that contains the characters of a literary material collection and reverence for the place called Mandeoksa. Accordingly, this paper tried to explore the literary characteristics of this text. It was revealed that Mandeoksaji, a collection of literary works accumulated over time, has sufficient value as an anthology of literature, and the nature and distribution of the lines of literature and gazes were examined. Recognizing that the limbs are basically complex texts in which the two axes of temporality and spatiality (placeness) intersect, this paper focused on the discussion of the poem in Volume 5. In Volume 5, Jeyeong Poems, 27 poems by 17 people who sang the scenery of the Mandeoksa Temple were introduced, and the criteria and characteristics of the arrangement of the works were extracted. As a result, it was confirmed that the editor of the four sites divided the poems according to the space of the Mandeoksa Temple, the surrounding temples, and Wando in Volume 5, and presented the works of Seon Haeil during the middle Goryeo period at the beginning of each inception. In addition, the literary achievements of Hyeyeong and Jeyeong were analyzed and discussed. Saji is expected to be accessible in various ways in the future in that it is a multicultural text and a text that intersects the axes of time and space.