일본 모더니즘 문학에 나타난 신감각파와 신심리주의의 단절과 연속 ‒요코미츠 리이치 『상해(上海)』의 텍스트 분석을 중심으로‒

Abstract

This thesis attempts to examine a characteristic side of Japanese modernism literature through the characteristics of expressive techniques shown in the Modernist Yokomitsu Riichi‘s masterpiece Shanghai as a new sensation school and new psychological novel from a standpoint of discontinuity and continuity. The summed-up conclusions that were obtained by the analyzing and investigating processes in this paper are as follows: Firstly, it is revealed that not only the characteristics of expressive techniques in a new sensation school literature period but also the characteristics of expressive techniques in new psychological literature period are all mixed in the text of the novel Shanghai that is generally valued as a representative literary work of a new sensation school novels. Secondly, in order to exactly understand the literary world of Yokomitsu, it is needed for us to look at his new sensation school literature period and new psychological literature period not only from a discontinuous characteristics standpoint but also from a continuous one. Thirdly, it is possible for us to have more accurate understanding of a characteristic side of Japanese modernism literature by analyzing and examining the characteristics of his new sensation school literature period and new psychological literature period from a plural viewpoint such as discontinuous and continuous ones. By the above study results, the main accomplishment of this paper is to be able to have an overall re-examination not only over the modernistic characteristics of Yokomitsu Riichi, but also over the characteristic side of modernism literature that is contained in the history of Japanese modern literature.