開化期 新聞의 敍事 受用 樣相

Abstract

This study attempted to classify the monolithic narration formed in diverse forms of newspapers over the period between the late Yi Dynasty and the period of Japanese occupation over the Korean peninsula by force into the editorial-centered discussion and the narration-centered discussion in a broad sense based on the method of embodying the discourse. And Chapter3 discussed the aspect of embodying the discourse shown in the monolithic narration in the enlightened period with a focus on the catechetical dialogic style, Dream-Based and the allegorical style. In this process, this study attached importance to the aspect of the form of description and the creative consciousness melted down in it with an emphasis on the descriptive structure embedded in the monolithic description, among other things. Especially, in the complicated and rapid change of the enlightened period, the monolithic description or narration formed while undergoing the national crisis and social and cultural confusion was diversely carried through the strange book or sundry reports as well as the editorial column of the newspaper or magazine. Accordingly, they attempted to select texts from the monolithic narratives carried in 『Independence Newspaper(1896)』, 『Chosun Christians' Bulletin, Korean Christians' Bulletin(1897)』, 『Christian Newspaper(1897)』, 『Maeil Newpaper(1898)』, 『The Imperial Newspaper(1898)』 with impartiality. First of all, the editorial-centered discourse refers to the editorial-centered discourse structure compared to the narration-centered discourse and took a form of developing the editorial as the prior stage of forming the narration-centered discourse. But in the editorial-centered discourse the relative importance of the discourse was weakened a was weakened and instead the narration-centered discourse wad reinforced. This performed a role in motivating the readership to have an interest as the expedient for effective delivery. It is a matter of course that the discourse structure centered towards narration was favorable in the perspective of the literary aesthetic consciousness of the writer or the excessive interference and control received from the outside. Moreover, the projection of writers' consciousness through the figure appearing in the center of the description or the inner hint of the description itself while not making the direct intention exposed at the beginning or end of the descriptive structure can be said to be the advanced look in the perfection of the descriptive text. And the embodiment of the discourse in the process of evolving from the editorial-centered discourse to the narration-centered discourse shows diversity. Especially, the practical use of the ‘catechetic dialogic style’ and the ‘Mongyu style’, along with the expressive technique of the ‘allegorical style’ made a great contribution to the diversity of embodying the discourse. In addition, given that this expressive technique is one form of the narrative structure that can often be seen in the new novel since the old fiction or Chinese short story of the former generations and not only has an aspect as one independent text but also performs a bridging role in spanning the traditional narrative style of the former generation and the subsequent new novel. In short, in discussing the particular literary style of the monolithic narration or description, in the enlightened period, it is a matter of course to take into account the situation of the times, the enlightened period. And the monolithic narration of the enlightened period is considerable in the expressive form of the content or the quantitative aspect of the works. Accordingly, to identify the relationship between the world reflected by the writing and the creative intention of the writer and the readership, it is thought that it is a task to conduct detailed studies on literary works through many materials in particular.